{"title":"火焰喷射器","authors":"Debra Vidali","doi":"10.1111/anhu.12453","DOIUrl":null,"url":null,"abstract":"<div>\n \n <p>This poem is part of a special section in honor of Kathleen Stewart. Imagined as a staccato spoken word piece, the short lines with visual semantic and sonic parallelisms flow like an urgent, nonstop process of throwing flames, barbs, disruptions, and unexpected care into anthropological spaces. As such, the poetic layout pays tribute with an itemized list of Katie's interventions: surgical strikes, sharp, powerful presences, and gentle lyric clarity.</p>\n </div>","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Flame thrower\",\"authors\":\"Debra Vidali\",\"doi\":\"10.1111/anhu.12453\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div>\\n \\n <p>This poem is part of a special section in honor of Kathleen Stewart. Imagined as a staccato spoken word piece, the short lines with visual semantic and sonic parallelisms flow like an urgent, nonstop process of throwing flames, barbs, disruptions, and unexpected care into anthropological spaces. As such, the poetic layout pays tribute with an itemized list of Katie's interventions: surgical strikes, sharp, powerful presences, and gentle lyric clarity.</p>\\n </div>\",\"PeriodicalId\":53597,\"journal\":{\"name\":\"Anthropology and Humanism\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Anthropology and Humanism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/anhu.12453\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anthropology and Humanism","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/anhu.12453","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
This poem is part of a special section in honor of Kathleen Stewart. Imagined as a staccato spoken word piece, the short lines with visual semantic and sonic parallelisms flow like an urgent, nonstop process of throwing flames, barbs, disruptions, and unexpected care into anthropological spaces. As such, the poetic layout pays tribute with an itemized list of Katie's interventions: surgical strikes, sharp, powerful presences, and gentle lyric clarity.
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