从体裁修改看19世纪末20世纪初的小说体裁

Motamednia Masoumeh
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摘要

本文以一个轶事、一个传说、一个童话、一篇随笔和一个故事为例,考察了文学中的一种短篇小说类型及其体裁的变化。它被认为是一个轻浮的情色和轶事内容的早期意大利薄伽丘短篇小说如何定义该类型的组成特征。这些特点是情节安排的简洁和动态,缺乏抒情的离题、对话和描述等。早期的短篇小说与文学上的喜剧有关,它接近寓言,轶事,寓言。作者追溯了古典短篇小说与童话、传说等体裁的联系。一部浪漫主义短篇小说改变了短篇小说的体裁结构。它获得了奇妙的故事,神奇的和平和宿命论的元素。短篇小说具有浪漫童话和短篇小说相结合的混合体裁的特点。在后浪漫主义时期,短篇小说的结构也发生了变化,尽管变化不大,但在许多方面仍保持了其结构类型。此外,在文章中,短篇小说的联系,如散文和故事是检验。
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A Study of Novel as Genre in Terms of Genre Modification in the Late 19th and Early 20th Century
The article examines a genre of a short story and its genre modifications in literature with an anecdote, a legend and a fairy tale, an essay and a story. It is considered how a frivolous-erotic and anecdotal content of the early Italian Boccaccio short story defines compositional features of the genre. These are the brevity and the dynamics of the plot deployment, the lack of lyrical digressions, dialogues, descriptions, etc. The early short story is related to the comic in literature and it is close to a fable, an anecdote, a fabliau. The author traces the connection of the classical short story with such genres as a fairy tale, a legend. A romantic short story made a shift in the genre structure of the short story. It gains the element of fantastic story, magical bi-peace, and fatalism. The short story acquires the features of a hybrid genre that combines the features of a romantic fairy tale and a short story. In the post-romantic period, the structure of the short story is also changing, a little though, and in many respects retains its structural type. Further, in the article the short story’s connection to such genres as an essay and a story is examined.
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