舒曼《大提琴协奏曲第一乐章》中a小调晚调的辩证法

{"title":"舒曼《大提琴协奏曲第一乐章》中a小调晚调的辩证法","authors":"Peter H. Smith","doi":"10.1215/00222909-3448755","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"12 1","pages":"51-88"},"PeriodicalIF":0.7000,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"7","resultStr":"{\"title\":\"Schumann's A-minor Mood Late-Style Dialectics in the First Movement of the Cello Concerto\",\"authors\":\"Peter H. Smith\",\"doi\":\"10.1215/00222909-3448755\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":45025,\"journal\":{\"name\":\"JOURNAL OF MUSIC THEORY\",\"volume\":\"12 1\",\"pages\":\"51-88\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2016-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"7\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MUSIC THEORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/00222909-3448755\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSIC THEORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00222909-3448755","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}