缺失的市政遗产:GLC和南岸中心不断变化的文化政治

IF 1.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY SOUNDINGS Pub Date : 2020-03-01 DOI:10.3898/soun.74.02.2020
Kathy Williams
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引用次数: 2

摘要

本文分析了南岸中心文化史上的关键时刻,并重点介绍了两个重要的遗产,一个是广为人知的,另一个是被边缘化的。它讨论了1951年的英国节,以及这种遗产如何渗透到南岸中心最近和当前的工作实践中,并将其与肯·利文斯通(Ken Livingstone)的GLC对参与性艺术和可访问公共空间的政策的大部分沉默遗产进行了比较。通过广泛的采访,文章认为利文斯通的GLC激进的艺术政策和高调的资助激发了南岸中心的参与性艺术,1983年开放门厅政策的推出促进了该场地的民主进入。这个市政主义潜力的历史例子在今天南岸中心的文化工作者的话语中基本上是缺失的。在这个地方社会主义时期,普遍的沉默是新自由主义资本主义替代品更广泛的沉默的一部分。
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A missing municipalist legacy: The GLC and the changing cultural politics of Southbank Centre
This article analyses key moments in the cultural history of Southbank Centre and focuses on two important legacies, one which is widely celebrated and the other marginalised. It discusses the 1951 Festival of Britain and the ways in which this heritage permeates recent and current working practices at Southbank Centre, and compares this to the mostly silenced legacy of the policies of Ken Livingstone's GLC towards participatory arts and accessible public space. Drawing on a wide range of interviews, it argues that Livingstone's GLC's radical arts policies and high profile funding galvanised participatory arts at Southbank Centre, and the launch of the Open Foyer Policy in 1983 promoted democratic access to the site. This historical example of the potential of municipalism is mostly missing from discourses of cultural workers for Southbank Centre today. The prevailing silence on this period of municipal socialism is part of a wider silencing of alternatives to neoliberal capitalism.
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来源期刊
SOUNDINGS
SOUNDINGS HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
5
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