数字时代的音乐即兴互动

Q4 Arts and Humanities De Musica Disserenda Pub Date : 2021-12-16 DOI:10.54103/2465-0137/16866
A. Bertinetto
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引用次数: 0

摘要

本文通过以下三个步骤来考虑数字时代音乐即兴互动的问题。1)我将提出在互联网时代,现场音乐即兴表演的意义和价值问题,并讨论所谓的数字革命对即兴表演实践的一些影响。2)然后,我将建议网络使互动成为可能,可以理解为各种现场即兴实践,我将简要概述这些实践如何也涉及音乐即兴。3)最后,我将重点讨论人工智能研究的最新进展使新型现场即兴表演成为可能的一些美学和哲学方面的问题。
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Musical Improvisational Interactions in the Digital Era
This paper considers the issue of musical improvisational interactions in the digital era by pursuing the following three steps. 1) I will raise the question of the meaning and value of liveness, and in particular of live musical improvisation, in the age of the internet and discuss some effects of the so-called digital revolution on improvisation practices. 2) Then I will suggest that the interactions made possible by the web can be understood as kinds of live improvisational practices and I will briefly outline how such practices also involve musical improvisation. 3) Finally, I will focus on some aesthetic and philosophical aspects of new kinds of live improvisation made possible by recent progress in artificial intelligence research.
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来源期刊
De Musica Disserenda
De Musica Disserenda Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
发文量
7
期刊介绍: De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.
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