{"title":"科学研究在电影理论中的作用","authors":"Katherine Thomson-Jones","doi":"10.3167/PROJ.2018.120212","DOIUrl":null,"url":null,"abstract":"This article offers a critical discussion of Murray Smith’s proposals\nregarding the role of science in film theory and the philosophy of art more\nbroadly. I would like to examine the precise role given by Film, Art, and the\nThird Culture to scientific evidence in understanding film engagement. There\nare points in the book where scientific evidence is used to considerable theoretical\nor philosophical advantage. But there are other points where the role\nof scientific evidence is unclear or where an opportunity is missed for its full\ndeployment in theorizing.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"15 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Role of Scientific Research in Film Theory\",\"authors\":\"Katherine Thomson-Jones\",\"doi\":\"10.3167/PROJ.2018.120212\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article offers a critical discussion of Murray Smith’s proposals\\nregarding the role of science in film theory and the philosophy of art more\\nbroadly. I would like to examine the precise role given by Film, Art, and the\\nThird Culture to scientific evidence in understanding film engagement. There\\nare points in the book where scientific evidence is used to considerable theoretical\\nor philosophical advantage. But there are other points where the role\\nof scientific evidence is unclear or where an opportunity is missed for its full\\ndeployment in theorizing.\",\"PeriodicalId\":93495,\"journal\":{\"name\":\"Projections (New York, N.Y.)\",\"volume\":\"15 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Projections (New York, N.Y.)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/PROJ.2018.120212\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Projections (New York, N.Y.)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/PROJ.2018.120212","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This article offers a critical discussion of Murray Smith’s proposals
regarding the role of science in film theory and the philosophy of art more
broadly. I would like to examine the precise role given by Film, Art, and the
Third Culture to scientific evidence in understanding film engagement. There
are points in the book where scientific evidence is used to considerable theoretical
or philosophical advantage. But there are other points where the role
of scientific evidence is unclear or where an opportunity is missed for its full
deployment in theorizing.
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