沙俄占领时期多米尼加建筑遗产的变迁

Q3 Arts and Humanities Art History and Criticism Pub Date : 2020-11-26 DOI:10.2478/mik-2020-0002
Žygimantas Buržinskas, Vytautas Levandauskas
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引用次数: 0

摘要

本文介绍了多米尼加骑士团的遗产,在沙俄占领立陶宛期间,多米尼加骑士团经历了最大的变革和破坏。在1831年和1863-1864年反对沙皇俄国政府的起义之后,俄罗斯化政策开始了,主要针对天主教会组织。自16世纪初以来,多米尼加教团在立陶宛大公国重新开展活动,并有目的地开展活动,但在沙皇俄国占领期间被清算。本文研究了在俄罗斯占领期间受重建和拆除工程影响最大的Aukštadvaris、Kaunas、merkinkv和paparaiai修道院的原貌,并对其原貌进行了重建。在1863-1864年的起义之后,所有修道院的建筑表现都受到了最大的影响。在Aukštadvaris和考纳斯,旧修道院教堂通过改变旧建筑,破坏建筑体量和装饰的单个元素,被重建为东正教教堂。俄罗斯帝国所推崇的俄罗斯-新拜占庭风格就是在这种背景下出现的。merkinje和paparaii修道院的建筑被完全摧毁。根据图像材料,特别是在重建或拆除工程之前绘制的建筑物的图纸和平面图,以及对修道院的参观和其他历史资料,使用现代手段制作了Aukštadvaris,考纳斯和梅尔金尼修道院建筑群的可视化。
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Transformation of Dominican Architectural Heritage in the Years of Tsarist Russian Occupation
Summary This article presents the heritage of the Dominican Order, which underwent the biggest transformation and destruction in Lithuania during the occupation by tsarist Russia. After the uprisings against the tsarist Russian government in the region in 1831 and 1863–1864, a Russification policy began, primarily targeted against the Catholic Church organization. The Dominican Order, which renewed its activities and had been purposefully operating in the Grand Duchy of Lithuania since the beginning of the 16th century, was liquidated during the occupation by tsarist Russia. This article studies the original appearances of Aukštadvaris, Kaunas, Merkinė and Paparčiai monasteries, which were most affected by reconstruction and demolition works during the Russian occupation, and reconstructions of their original appearance are presented. The architectural expression of all the monasteries in question suffered the most after the uprising in 1863–1864. In Aukštadvaris and Kaunas old convent churches were reconstructed into Orthodox churches by changing their old architecture, destroying individual elements of the building volume and decoration. Russian-Neo-Byzantine style promoted in the Russian Empire emerged in this context. The buildings of Merkinė and Paparčiai monasteries were completely demolished. Based on the iconographic material, especially the drawings and plans of the buildings made before the reconstruction or demolition works as well as visitations of the monasteries and material of other historical sources, the visualizations of the Aukštadvaris, Kaunas and Merkinė monastery complexes were prepared using modern means.
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来源期刊
Art History and Criticism
Art History and Criticism Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
7
审稿时长
24 weeks
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