生活方式的模糊性:荷兰东印度时代香烟广告的视觉效果

B. Riyanto, N. Alimin, Endri Sintiana Murni
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引用次数: 0

摘要

本研究的重点是荷属东印度殖民时期杂志上刊登的香烟广告的视觉风格重建及其所记录的生活方式的表达。本研究考察了1925年至2000年印度尼西亚杂志上刊登的香烟广告的视觉化和视觉风格。本研究亦旨在重建香烟广告视觉表现中的生活方式,以反映印尼社会在殖民至后殖民时期(1925 - 2000)的社会变迁过程。本研究采用描述性分析方法,以艺术社会史理论和David Chaney的生活方式理论为主要理论。东方现代折衷主义的视觉风格捕捉了印度群岛的混合生活方式表达,即:一种伪现代性的生活方式,这是分布在荷属东印度群岛(1925-1942)的殖民地社区之间融合的结果。那个时代的香烟广告呈现了一个虚构的世界,描绘了社会各阶层和谐的社会互动,这与隔离的殖民地生活的社会现实背道而驰。
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Lifestyle Ambiguity: The Visuals of Cigarette Advertisements in the Dutch East Indes Era
The focuses of this research are the visual style reconstruction of cigarette advertisements published in magazines during the colonial era of the Dutch East Indies and the expressions of lifestyle recorded in them. This study examines the visualization and visual style of cigarette advertisements published in magazines in Indonesia from 1925 to 2000. This study also aims to reconstruct the lifestyle in the visual representation of cigarette advertisements as a reflection of the process of social change in Indonesian society during the colonial to the post-colonial period (1925 - 2000). This research employed descriptive analytical methodology, with the main theory of the social history of Art and David Chaney’s lifestyle theory. The visual style of Oriental Modern Eclecticism captures the Indies’ hybrid lifestyle expression, namely: a pseudo-modernity lifestyle as a result of the integration among the colonized communities which were spread across the Dutch East Indies (1925-1942). The cigarette advertisements of that era presented an imaginary world that depicted the harmonious social interactions of various social layers which is contrary to the social reality of the segregated colonial life.
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
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