艺术家主导的建筑:农业有机知识

Q1 Arts and Humanities Journal of Visual Art Practice Pub Date : 2020-07-23 DOI:10.1080/14702029.2020.1791448
J. Crawshaw
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引用次数: 3

摘要

这篇文章介绍了一位民族志学者和两位艺术家之间的合作写作。它是在Kultivator为期一周的驻留中开发的,Kultivator是一个艺术家主导的项目,位于瑞典Öland岛的一个有机农场上。这篇文章以古典实用主义哲学为指导,重点关注人与环境连续性的有机比喻。本文以写作实验为依据,论证了“耕耘者”不是简单地做有机农业;但是建立一个农场,用有机的方式思考。修行者被呈现为一种认识连续性的方式;也是一种研究有机哲学的方法。因此,文章认为这种艺术家主导的实践有能力将艺术实践及其话语延伸到人类合作之外。该研究为农村背景下艺术家主导的实践提供了经验说明。而不是专注于艺术作品或“建筑”,这次合作要求我们考虑我们“建立”共同生活的参与性过程的方式,以及艺术知识在此过程中可以发挥的作用。
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Artist-led building: farming organic knowing
ABSTRACT This article presents a writing collaboration between an ethnographer and two artists. It was developed from a one-week residency at Kultivator, which is an artist-led project situated on an organic farm on the Swedish island of Öland. The writing is informed by classical pragmatist philosophy and gives focus to the organic trope of human-environment continuity. Drawing on the writing experiment the article argues that Kultivator is not simply doing organic farming; but building a farm to think-with organically. Kultivator is presented as a way of knowing continuity; and a way of doing organic philosophy also. As such the article suggests this artist-led practice has capacity to stretch artistic practice and its discourse beyond human collaboration. The research contributes an experiential account of artist-led practice in a rural context. Rather than focusing on artworks or ‘buildings’ this collaboration asks us to consider the way we ‘build’ our participatory process of living together and the role artistic knowledge can have in doing so.
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来源期刊
Journal of Visual Art Practice
Journal of Visual Art Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.80
自引率
0.00%
发文量
16
期刊介绍: The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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