电影、人权与发展:电影作为一种教学实践

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2020-03-11 DOI:10.5195/cinej.2020.238
Leilane Serratine Grubba
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引用次数: 4

摘要

本文试图重新思考电影作为一种法学教学方法的重要性。关于不同方法对法律教学的重要性,如电影、音乐和文学,人们说了很多。但是对于为什么它很重要却没有太多的解释。从这个意义上说,要解决的问题是:为什么电影可以作为一种重要的教学实践来教授人权?为了回答这个问题,主要的假设,通过波普尔方法进行检验,表明电影设法产生观众的情感参与,包括学生。这一假设可以用放映认同理论来解释,即电影可以消除科学客观化给学生造成的距离。此外,人权电影似乎呈现了大量的真相,增加了学生的情感参与;因此,这似乎增加了学生学习新科目和参与人权问题的意愿。
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Cinema, Human Rights And Development: The Cinema As A Pedagogical Practice
This article seeks to rethink the importance of the cinema as a teaching and learning methodology of Law. Much is said about the importance of different methodologies to the teaching and learning of Law, such as cinema, music and literature. But there is not much said about why it is important. In this sense, the question to be solved is: why cinema can be used as an important pedagogical practice to teach human rights? To answer the question, the main hypothesis, to be tested by Popperian method, suggests that cinema manages to generate an emotional participation of the spectator, including the student. This hypothesis is explained by the theory of projection-identification, which says cinema can eliminate the distance created in the students by the scientific objectification. Moreover, human rights films seem to present a load of truth, increasing the emotional participation of the students; therefore, it seems to increase the will of the student to learn new subjects and get involved in human rights issues.
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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审稿时长
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