{"title":"用微扰铰接。关于发音作为吉他音乐执行的结构元素","authors":"Emanuel Estrada Yarce","doi":"10.17230/RICERCARE.2018.10.1","DOIUrl":null,"url":null,"abstract":"This article approaches the articulation in music as a structuring element to perform the universal repertoire for solo guitar. For that purpose, we start from the conception of music as a language and musical pieces as discourses for which technique has to be at service. The goal is then structuring the fingering process for the performance of the pieces, both those that were conceived for the guitar as well as those that are adaptations of pieces written for other instruments.","PeriodicalId":34433,"journal":{"name":"Ricercare","volume":"4 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ARTICULANDO CON TRASTES. ACERCA DE LA ARTICULACIÓN COMO ELEMENTO ESTRUCTURADOR DE LA EJECUCIÓN MUSICAL EN LA GUITARRA\",\"authors\":\"Emanuel Estrada Yarce\",\"doi\":\"10.17230/RICERCARE.2018.10.1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article approaches the articulation in music as a structuring element to perform the universal repertoire for solo guitar. For that purpose, we start from the conception of music as a language and musical pieces as discourses for which technique has to be at service. The goal is then structuring the fingering process for the performance of the pieces, both those that were conceived for the guitar as well as those that are adaptations of pieces written for other instruments.\",\"PeriodicalId\":34433,\"journal\":{\"name\":\"Ricercare\",\"volume\":\"4 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ricercare\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17230/RICERCARE.2018.10.1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ricercare","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17230/RICERCARE.2018.10.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ARTICULANDO CON TRASTES. ACERCA DE LA ARTICULACIÓN COMO ELEMENTO ESTRUCTURADOR DE LA EJECUCIÓN MUSICAL EN LA GUITARRA
This article approaches the articulation in music as a structuring element to perform the universal repertoire for solo guitar. For that purpose, we start from the conception of music as a language and musical pieces as discourses for which technique has to be at service. The goal is then structuring the fingering process for the performance of the pieces, both those that were conceived for the guitar as well as those that are adaptations of pieces written for other instruments.
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