摄影代理。豪尔赫·莫德:侦探、魔术师、演员。

C. Rozzoni
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引用次数: 0

摘要

葡萄牙摄影师Jorge Molder(里斯本,1947)的œuvre可以理解为一系列的系列。这些系列充满了大量的不存在,出现和消失的可能性,没有达到实现或确认,从而有助于创造一个“侦探故事”的氛围。莫尔德自己的身体也是如此。事实上,他的脸,他的手是贯穿他40年作品的反复出现的“主题”。即便如此,当我们问在莫尔德的系列中看到的男人是谁时,答案是有问题的。一方面,我们知道这是“他”,因为他自己就是他的标志性“建筑”的模型。另一方面,莫尔德的图像并不是旨在揭示自我本质的“自画像”,而是“自我再现”,创造了一个独特的“角色”,他是他,但又不是他:一个双重人格。
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Photographic agents. Jorge Molder: detective, magician, actor.
The  œuvre of Portuguese photographer Jorge Molder (Lisbon, 1947) can be construed as a series of series. These series are filled with a wealth of absent presences, of possibilities that arise and fade without ever reaching actualization or confirmation, thereby contributing to create a ‘detective-story’ atmosphere. This also proves to be true as regards Molder’s own body. Indeed, his face, his hands are recurrent “subjects” running through his 40 years of work. Even so, when we ask who the man is that we see in Molder’s series, the answer is problematic. On the one hand, we know it is “him”, insofar as he himself is the model for his iconic “constructions”. On the other hand, Molder’s images are not “self-portraits” aiming to reveal the essence of his self, but rather “self-representations” creating a peculiar “character” who is and yet is not him: a  double .
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
40 weeks
期刊介绍: The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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