{"title":"N. Garin-Mikhailovsky素描中的城市符号学“在喧闹的乡村生活中”","authors":"M. Perepelkin","doi":"10.18287/2782-2966-2023-3-1-48-54","DOIUrl":null,"url":null,"abstract":"This article attempts to analyze the semiotics of the urban space depicted by N. Garin-Mikhailovsky in In the hustle and bustle of the provincial life sketches. For this purpose, the main city locations, described by the author, are identified - the noble assembly, the governor's house, the apartments of the photographer and Abramson, Khlebnaya Square and some others. On the basis of the analysis, it is concluded that, when sketching a portrait of the city, Garin depicts it in almost the entire geographical extent - from the southwest to its northeastern outskirts; the intention to show the whole Samara in terms of the geographical extent is accompanied with a similar intention to show different social levels of the city life; urban locations are not depicted as static, remote and isolated objects, but as connected by a wide variety of connections and relationships. All this together allows us to consider the city, depicted in N. Garin-Mikhailovskys sketches, as a semiotic structure, a complex meaning, and decoding is the only way to get closer to a real understanding of the formula in the title of the cycle In the hustle and bustle of the provincial life.","PeriodicalId":52036,"journal":{"name":"Chinese Semiotic Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Semiotics of the city in the sketches by N. Garin-Mikhailovsky «In the hustle and bustle of the provincial life»\",\"authors\":\"M. Perepelkin\",\"doi\":\"10.18287/2782-2966-2023-3-1-48-54\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article attempts to analyze the semiotics of the urban space depicted by N. Garin-Mikhailovsky in In the hustle and bustle of the provincial life sketches. For this purpose, the main city locations, described by the author, are identified - the noble assembly, the governor's house, the apartments of the photographer and Abramson, Khlebnaya Square and some others. On the basis of the analysis, it is concluded that, when sketching a portrait of the city, Garin depicts it in almost the entire geographical extent - from the southwest to its northeastern outskirts; the intention to show the whole Samara in terms of the geographical extent is accompanied with a similar intention to show different social levels of the city life; urban locations are not depicted as static, remote and isolated objects, but as connected by a wide variety of connections and relationships. All this together allows us to consider the city, depicted in N. Garin-Mikhailovskys sketches, as a semiotic structure, a complex meaning, and decoding is the only way to get closer to a real understanding of the formula in the title of the cycle In the hustle and bustle of the provincial life.\",\"PeriodicalId\":52036,\"journal\":{\"name\":\"Chinese Semiotic Studies\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-04-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Chinese Semiotic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18287/2782-2966-2023-3-1-48-54\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Chinese Semiotic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18287/2782-2966-2023-3-1-48-54","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Semiotics of the city in the sketches by N. Garin-Mikhailovsky «In the hustle and bustle of the provincial life»
This article attempts to analyze the semiotics of the urban space depicted by N. Garin-Mikhailovsky in In the hustle and bustle of the provincial life sketches. For this purpose, the main city locations, described by the author, are identified - the noble assembly, the governor's house, the apartments of the photographer and Abramson, Khlebnaya Square and some others. On the basis of the analysis, it is concluded that, when sketching a portrait of the city, Garin depicts it in almost the entire geographical extent - from the southwest to its northeastern outskirts; the intention to show the whole Samara in terms of the geographical extent is accompanied with a similar intention to show different social levels of the city life; urban locations are not depicted as static, remote and isolated objects, but as connected by a wide variety of connections and relationships. All this together allows us to consider the city, depicted in N. Garin-Mikhailovskys sketches, as a semiotic structure, a complex meaning, and decoding is the only way to get closer to a real understanding of the formula in the title of the cycle In the hustle and bustle of the provincial life.