鲍莫尔成本病在表演艺术中消失了吗?

BRUNO S. FREY
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引用次数: 24

摘要

根据鲍莫尔的成本病,表演艺术的单位劳动力成本经常增加,因为工资率的增长速度快于劳动生产率的增长速度,这对生存造成了长期威胁。相比之下,音乐节蓬勃发展。节日特别适合收入稳步增长的游客。音乐节之所以繁荣,是因为它们以较低的边际成本雇佣艺术家和其他工作人员,并避开了政府和工会施加的限制。因此,它们的生产效率更高,并吸引更多的赞助商。节日的“创新”克服了鲍莫尔病,而它在传统场所仍然是致命的。
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Has Baumol's Cost Disease disappeared in the performing arts?

According to Baumol's Cost Disease unit labour costs in the performing arts regularly increase because the wage rates rise more quickly than labour productivity, resulting in a secular threat to survival. In contrast, musical festivals have boomed. Festivals cater particularly well for tourists endowed with steadily increasing incomes. Festivals have prospered because they hire artists and other staff at low marginal cost and evade the restrictions imposed by government and unions. They therefore produce more efficiently and attract more sponsors. The “innnovation” of festivals overcomes Baumol's Disease while it remains virulent in the conventional venues.

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