聆听“Mila”,聆听当代歌剧舞台上的香港社会声景(回顾)

Q3 Arts and Humanities Asian-European Music Research Journal Pub Date : 2022-12-07 DOI:10.30819/aemr.10-11
Fang Bo
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引用次数: 0

摘要

21世纪当代歌剧的创作与演出反映了当代人文思潮的主要思想。当代歌剧在国际合作、跨文化艺术表达、对当地社会问题的全球探索、艺术家的社会参与等方面日益深入。对于当代歌剧和其他艺术形式来说,今天是一个新的人文时代。不同民族、不同文化的艺术语言和人文语言在更加多元的艺术平台上交流对话。因此,创作反映中国人文价值多样性和中国社会真实发展的现实主义戏曲在今天显得尤为重要。香港当代戏曲的创作和演出,也是中国戏曲发展的代表,具有显著的地域特色。本文以亚洲协会香港中心委托创作的歌剧《Mila》为例,分析作品中现实主义的文学主题、当代场景的音乐构成、生活素材的戏剧化呈现,从而发现当代歌剧舞台上的香港社会声音景观。
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Listen to ‘Mila’, Listen to the Hong Kong's Social Soundscape on the Contemporary Opera Stage (Review)
The creation and performance of contemporary opera in the 21st century reflect the main ideas of contemporary humanistic trend of thought. Contemporary opera is increasingly deepening in international cooperation, cross- cultural artistic expression, global exploration of local social issues, and artists' social participation. Today is a new humanistic era for contemporary opera and other art forms. The artistic and humanistic languages of different nationalities and cultures communicate and dialogue on more diverse artistic platforms. Therefore, the creation of realistic opera which reflects the diversity of Chinese humanistic values and the real development of Chinese society is particularly important today. The creation and performance of contemporary opera in Hong Kong is also a representative of the development of Chinese opera with remarkable regional characteristics. Taking ‘Mila’’, an opera commissioned by the Asia Society Hong Kong Center, as an example, this article analyzes the realistic librettural themes, the music composition of contemporary scenes, and the dramatic presentation of life materials in the work, so as to discover Hong Kong's social sound landscape on the contemporary opera stage.
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来源期刊
Asian-European Music Research Journal
Asian-European Music Research Journal Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
11
审稿时长
15 weeks
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