20世纪早期萨尔苏埃拉的歌唱和说话:来自早期录音的证据

IF 0.4 2区 艺术学 0 MUSIC JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2022-01-02 DOI:10.1080/01411896.2021.2021514
Eva Moreda Rodríguez
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引用次数: 0

摘要

摘要:本文利用三十年的记录证据(从19世纪末制造的第一个蜡筒,到20世纪20年代和30年代初的第一个电子录音)来研究西班牙zarzuela中使用的两种声音产生模式:一种是歌剧演唱,以音色修饰和广泛的颤音为特征;另一个与流行的娱乐形式有关,基于低喉头的位置和清晰的发音。这篇文章并没有构成一个严格的二分法,而是讨论了这两种声音产生模式是如何共存的,并在表达文本的一般支配原则下结合在一起,证实了——正如最近的史学研究所建议的那样——zarzuela作为一种混合体裁能够吸收许多影响。文章还讨论了这两种生产方式是如何在研究结束时变得更加普遍的,并考虑了录音技术在这一过程中的影响。
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Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings
ABSTRACT The present article draws upon thirty years of recorded evidence (from the first wax cylinders made in the late nineteenth century, to the first electrical recordings of the 1920s and early 1930s) to study two modes of voice production used in Spanish zarzuela: one indebted to operatic singing, characterized by timbral modification and widespread vibrato; and another one more connected to popular forms of entertainment, based on a low-larynx position and clear enunciation. Far from constituting a rigid dichotomy, this article discusses how both modes of voice production coexisted and were combined within the general governing principle of communicating text expressively, confirming—as has been suggested by recent historiographical research—zarzuela’s status as a hybrid genre able to absorb a number of influences. The article also discusses how the former of these two modes of production became more widespread at the end of the period under study, and considers the influence of recording technologies in this process.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍: The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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