乌托邦与无尽的战争:萧伯纳笔下的芭芭拉少校

IF 0.6 4区 文学 0 LITERATURE, BRITISH ISLES Shaw-The Journal of Bernard Shaw Studies Pub Date : 2019-11-22 DOI:10.5325/shaw.39.2.0158
D. Harding
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引用次数: 0

摘要

摘要:萧伯纳的《芭芭拉少校》(1905)复兴了前现代的乌托邦概念,与现代主义和资本主义文化之间的关系比人们之前认识到的更为复杂。为了与他对城市社会的彻底重组的终身承诺保持一致,肖使用了城市政治的合作形式,即Perivale St. Andrews,来挑战不受约束的市场与城市民主齐头并进的说法;相反,Undershaft的原教旨主义“灾难”资本主义产生了一种残酷的强制形式,伪装成一种更好、更理性的城市生存模式,这种模式基于无休止的战争状态。
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Utopia and Endless War: Bernard Shaw’s Major Barbara
ABSTRACT:Bernard Shaw’s Major Barbara (1905) revives the premodern notion of utopia and in doing so bears a more complex relation to modernism and capitalist culture than previously acknowledged. In keeping with his lifelong commitment to a radical reorganization of urban society, Shaw uses the cooperative form of urban polity that is Perivale St. Andrews to challenge the claim that unfettered markets go hand in hand with urban democracy; rather, Undershaft’s fundamentalist brand of “disaster” capitalism engenders a brutal form of coercion masquerading as a better, more rational model of urban existence predicated on a state of endless war.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
34
期刊最新文献
INTERNATIONAL SHAW SOCIETY Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals) Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”) "Whole Play Complete, Only Waiting to Be Filled Out": The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton Operatic Adaptations of Shaw's Plays The Devil's Disciple and The Music Cure
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