库哈拉什维利绘画中城市空间的语义模型

Q2 Arts and Humanities Kadmos Pub Date : 2017-01-01 DOI:10.32859/kadmos/9/88-104
Ketevan Jishiashvili
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引用次数: 0

摘要

1980-1990年是格鲁吉亚历史上的一个过渡时期。苏联解体后,城市空间发生了重大变化,影响了城市的社会文化生活。本研究旨在观察这一时期的社会文化语境下的空间语义模式,并分析传统城市空间的变化。Jemal Kukhalashvili的艺术由于其多样的城市形象场景和社会敏感性而成为这样一个研究的相关材料。讨论的模式——庭院、咖啡馆、庆典和市场——是第比利斯城市空间的常见模式。分析了每一种空间模式在城市发展中的社会作用,并给出了其文化重要性。我们研究了Jemal Kukhalashvili绘画中视觉图像与城市模型语义的一致性。符号学方法可以在两个不同的层面上获得结果:a)广泛的社会文化层面,b)艺术品的信息和内容层面。传统空间语义模型和相关视觉图像的研究描述了城市空间转型水平、文化价值语义模型以及社会政治变化对它们的影响。
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Semantic Models of Urban Space in the Paintings of Jemal Kukhalashvili
The years between 1980-1990 is a transitional period in the history of Georgia. After the collapse of the Soviet Union the urban space significantly changed, affecting the social and cultural life of the city. The aim of the study is to observe the spatial semantic models of this period in their sociocultural context and analyze the changes in traditional urban spaces. The art of Jemal Kukhalashvili is relevant material for such a study due to its varied city image scenes and social sensibility. The models discussed - yard, café, celebration, and market - are common for the Tbilisi urban space. Each spatial model is analyzed according to its social role for urban development and its culturological importance is also given. We have studied the coherence of visual images with the semantics of the urban model in the paintings of Jemal Kukhalashvili. The semiotic method made it possible to obtain results on two different levels: a) a wide sociocultural level, b) the level of the artwork’s message and content. The study of traditional spatial semantic models and correlated visual images describes a picture of the level of urban space transformation, culturally valuable semantic models, and the impact of socio-political changes on them.
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Kadmos
Kadmos Arts and Humanities-Classics
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