{"title":"作为补偿的写作:伊恩·麦克尤恩赎罪中的传记式创伤写作。","authors":"D. Abreu, Anu","doi":"10.1344/aflc2018.8.9","DOIUrl":null,"url":null,"abstract":"This article aims to analyze biographical trauma writing in Ian McEwan’s Atonement (2001). In this novel, the narrator and protagonist Briony Tallis decides to become a nurse during The Second World War, as some kind of personal penance. Her auto fictional writing, nonetheless, reveals a possibility to repair her past trauma. The text addresses, more remarkably, the therapeutic properties of autobiographical fiction writing, having as references current assumptions both on trauma theory and life-writing.","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"33 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"WRITING AS REPARATION: BIOGRAPHICAL TRAUMA WRITING IN IAN MCEWAN’S ATONEMENT.\",\"authors\":\"D. Abreu, Anu\",\"doi\":\"10.1344/aflc2018.8.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article aims to analyze biographical trauma writing in Ian McEwan’s Atonement (2001). In this novel, the narrator and protagonist Briony Tallis decides to become a nurse during The Second World War, as some kind of personal penance. Her auto fictional writing, nonetheless, reveals a possibility to repair her past trauma. The text addresses, more remarkably, the therapeutic properties of autobiographical fiction writing, having as references current assumptions both on trauma theory and life-writing.\",\"PeriodicalId\":7554,\"journal\":{\"name\":\"AFEL\",\"volume\":\"33 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AFEL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1344/aflc2018.8.9\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AFEL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1344/aflc2018.8.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
WRITING AS REPARATION: BIOGRAPHICAL TRAUMA WRITING IN IAN MCEWAN’S ATONEMENT.
This article aims to analyze biographical trauma writing in Ian McEwan’s Atonement (2001). In this novel, the narrator and protagonist Briony Tallis decides to become a nurse during The Second World War, as some kind of personal penance. Her auto fictional writing, nonetheless, reveals a possibility to repair her past trauma. The text addresses, more remarkably, the therapeutic properties of autobiographical fiction writing, having as references current assumptions both on trauma theory and life-writing.
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