The Misapplication of Democracy and the Plight of the Individual in the Drama of Henrik Ibsen

Let me begin by stating the obvious. It is now common knowledge in Henrik Ibsen’s scholarship that the Norwegian playwright had a very uneasy relationship with politicians. The dramatist took delight in satirizing the pomposity and hypocritical practices of politicians and other public officials through the use of a flowery rhetorical style characteristic of platform politicians. A close reading of critical writings on Ibsen’s major plays that have a political agenda reveals that most of the reputed commentators conclude that the author directs his criticism against the democratic form of government. Some of the critics are even of the opinion that Ibsen in his works is in favour of aristocracy as an alternative to democracy. What is however intriguing about the claims of these critics is that they do not actually take up time to define what democracy as a form of government is all about before illustrating how the dramatist writes against it in his plays. The central concern of this paper therefore, is to demonstrate from a new historicist standpoint that Ibsen in his drama does not completely condemns democracy as a form of government except when it comes to the application of some democratic principles which are hostile to the welfare of the individual.