拉丁语泛叙事诗“iter laureatum”的语言诗学分析

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引用次数: 0

摘要

本文对维什诺夫斯基的拉丁颂诗《Iter Laureatum》进行了语言诗学分析,以献给基辅莫希拉学院前院长约瑟夫·克罗科夫斯基。在当时的历史和文化背景下分析颂歌。本研究的目的在于探讨拉丁文学体裁的结构、诗歌手法和作者个人的表现。乌克兰巴洛克诗歌和古代之间的关系是在以前的文本中定义的。先例文本实现了众所周知的文化现象,从而产生认知效应。事实证明,叙事向神话层面的转移创造了事件或人物的历史性和传奇性的效果,有利于叙事诗的悲情。本文着重分析了词汇的诗学手段(分析神话名字的诗学解释)和文体的手段(放大、暗指、隐喻和比较的运用)。神话的名字是根据主要的主题组分类的:地名,代表古代和中世纪的现实(Regna Mauri, Regna Lydiae, Regna Arabum, Canopus, Thracia, Rhodopa, Troja),神话人物的个人名字(阿波罗,melpoomene, Polyhymnia, Thalia, Siren, Echo, Hercules),音乐艺术的词(chorda, carmen, lyra, chorus, nablium),武术(Mars, Scipio, tropaeum)。下面的隐喻被定义为描述赞助人的尊严:“majorum decus”;“佩特Rossiadum”;“瞳孔守护神”;“维克多心脏的”;“首要的心绞痛”。我们直接关注作者意志表达的叙事策略的实现,即对赞助人的慷慨的推崇和对赞助人的感情和忠诚的表达。讨论了诗人跨越时间障碍,将神话现实转移到乌克兰大地的意图(Borysthenes, Siren Kioviensis)。
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LINGUOPOETIC ANALYSIS OF THE LATIN PANEGYRIC "ITER LAUREATUM"
This paper presents the linguopoetic analysis of the Latin panegyric "Iter Laureatum" by Hryhorii Vyshnovskyi, dedicated to Josaf Krokovskyi, the former rector of Kyiv-Mohyla Academy. The panegyric is analyzed within the historical and cultural context of that time. The purpose of this study is to give the idea of the structure, poetic means and individual author's performance of the genre in Latin language. The relationship between Ukrainian baroque poetry and antiquity is defined in precedent texts. Precedent texts actualize well-known cultural phenomena, thereby creating the effect of recognition. It is proved that the transfer of the narrative to the mythological plane creates the effect of historicity and legendary nature of the event or personality, which benefits panegyric pathos. The article focuses on lexical poetic means (analysis of poetic interpretation of mythological names) and stylistic means (the amplification, anaphor, use of metaphors and comparisons). The mythological names are classified according to the main thematic groups: geographic names, representing the ancient and medieval realities (Regna Mauri, Regna Lydiae, regna Arabum, Canopus, Thracia, Rhodopa, Troja), personal names of mythological characters (Apollo, Melpomene, Polyhymnia, Thalia, Siren, Echo, Hercules), words of musical art (chorda, carmen, lyra, chorus, nablium), martial arts (Mars, Scipio, trophaeum). The following metaphors were defined for description of patron's dignity: "majorum decus"; "pater Rossiadum"; "patronus pupillae sortis"; "victor cordis"; "princeps pectoris". We direct attention to the realization of author's narrative strategy of the will-expression, which is to exalt the patron's generosity and express the affection and loyalty towards him. It is discussed the poet's intention to cross the time barriers and transfer the mythological realities to the Ukrainian ground (Borysthenes, Siren Kioviensis).
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