大英图书馆的贝多芬展览

IF 0.1 2区 艺术学 0 MUSIC Eighteenth Century Music Pub Date : 2022-08-04 DOI:10.1017/s147857062200015x
Rupert Ridgewell
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引用次数: 0

摘要

特别值得注意的是贝多芬从赫尔德的诗歌中抄写的一页,旁边是他对自然力量的个人思考,最初是用铅笔写的——显然是在户外——然后再用墨水涂上(茨威格MS 15)。游客可以将肘部放在木板上,双手捂住耳朵,让音乐产生的振动通过肘部和上臂的骨头从木板传递到内耳,从而绕过耳道。Franz Xaver Stöber对贝多芬葬礼队伍的雕刻提供了前所未有的规模和公众对这一事件的兴趣的惊人视觉表现。
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Beethoven Exhibition at the British Library
Of particular note was a leaf of Beethoven's transcriptions from the poetry of Herder alongside his own personal reflections on the power of nature, written first in pencil – apparently outdoors – before being inked over (Zweig MS 15). Visitors could place their elbows on a wooden panel and clasp their hands over their ears, allowing the vibrations created by the music to be conveyed from the panel via bones in the elbow and upper arm to the inner ear, thus bypassing the ear canal. Franz Xaver Stöber's engraving of Beethoven's funeral procession provided a striking visual representation of the unprecedented scale of and public interest in the event.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
43
期刊最新文献
ECM volume 20 issue 2 Cover and Front matter Sonatas a Violino Solo e Basso Gaetano Brunetti (1744–1798) Carlos Gallifa (violin) / Galatea Ensemble Lindoro NL3055, 2022; one disc, 55 minutes Dubourg, Geminiani and the Violin Concerto in D Major: A Misattribution Latin Pastorellas Joseph Anton Sehling (1710–1756), ed. Milada Jonášová Prague: Academus, 2017 pp. xli + 49, ISBN 978 8 088 08117 3 Chamber Scenes: Musical Space, Medium, and Genre c. 1800
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