{"title":"在文艺复兴中移动:约翰·斯托《伦敦概览》与本·琼森《徒步旅行》的修辞生态","authors":"P. Reid","doi":"10.1353/crt.2022.0007","DOIUrl":null,"url":null,"abstract":"Abstract:Critical phenomenologies of space and sensation often represent them as forms of popular liberation because they draw from the modernist theories of Henri Lefebvre and Michel de Certeau. However, a historical phenomenology of movement through space in two early modern period's walking texts—as rhetorical ecologies—reveal public spaces and their sensations as controversial and uncanny landscapes bound by historical and cultural practice. This analysis employs John Stow's 1598 Survey of London and the recently discovered 1618 \"Foot Voyage\" of Ben Jonson from London to Edinburgh as case studies for phenomenal experiences of space in Renaissance cultural history.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"237 1","pages":"115 - 138"},"PeriodicalIF":0.1000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Moving in the Renaissance: The Rhetorical Ecologies of John Stow's Survey of London and Ben Jonson's \\\"Foot Voyage\\\"\",\"authors\":\"P. Reid\",\"doi\":\"10.1353/crt.2022.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Critical phenomenologies of space and sensation often represent them as forms of popular liberation because they draw from the modernist theories of Henri Lefebvre and Michel de Certeau. However, a historical phenomenology of movement through space in two early modern period's walking texts—as rhetorical ecologies—reveal public spaces and their sensations as controversial and uncanny landscapes bound by historical and cultural practice. This analysis employs John Stow's 1598 Survey of London and the recently discovered 1618 \\\"Foot Voyage\\\" of Ben Jonson from London to Edinburgh as case studies for phenomenal experiences of space in Renaissance cultural history.\",\"PeriodicalId\":42834,\"journal\":{\"name\":\"FILM CRITICISM\",\"volume\":\"237 1\",\"pages\":\"115 - 138\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FILM CRITICISM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/crt.2022.0007\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/crt.2022.0007","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Moving in the Renaissance: The Rhetorical Ecologies of John Stow's Survey of London and Ben Jonson's "Foot Voyage"
Abstract:Critical phenomenologies of space and sensation often represent them as forms of popular liberation because they draw from the modernist theories of Henri Lefebvre and Michel de Certeau. However, a historical phenomenology of movement through space in two early modern period's walking texts—as rhetorical ecologies—reveal public spaces and their sensations as controversial and uncanny landscapes bound by historical and cultural practice. This analysis employs John Stow's 1598 Survey of London and the recently discovered 1618 "Foot Voyage" of Ben Jonson from London to Edinburgh as case studies for phenomenal experiences of space in Renaissance cultural history.
期刊介绍：
Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
