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引用次数: 0
摘要
摘要:本文与格雷格·贝克特(Greg Beckett)的《2019年不再有海地:太子港的生与死之间》(2019 There Is More Haiti: Between生与死之间)进行了对话,以思考危机是如何被认识的地理和时间。聚焦于加勒比海城市,它质疑了关于城市作为危机的广泛流传的理解,询问危机的“在哪里”如何与地理想象联系起来,将加勒比海文化的真实性定位在农村。接下来,它反映了危机的暂时性,与贝克特将危机概念化为一种慢性疾病,作为对破裂的常规预期有关。尽管加勒比地区在时间性方面有着丰富的学术传统,但对该地区城市时间空间的研究却十分有限。作者建议,特别是对加勒比城市未来的更彻底的考虑可能使我们能够将对不安全和不稳定的预期调和作为一种城市模式的时间经验,在这种模式中,在不确定性中并通过不确定性来制定未来可能不是绝望的来源,而是希望的来源。
Abstract:This review essay enters into conversation with Greg Beckett’s 2019 There Is No More Haiti: Between Life and Death in Port-au-Prince to think through the geographies and temporalities of how crisis is known. Focusing on the urban Caribbean, it interrogates broadly circulating understandings of the city-as-crisis, asking how the “where” of crisis connects to a geographical imagination that sites Caribbean cultural authenticity in the countryside. Next, it reflects on the temporalities of crisis, in relation to Beckett’s conceptualization of crisis as a chronic condition, as the routinized anticipation of rupture. Despite a rich tradition of Caribbean scholarship on temporalities, there has been limited engagement with the region’s urban time-spaces. The author suggests that a more thorough consideration of Caribbean urban futures in particular might allow us to read an anticipatory attunement to insecurity and instability as an urban mode of temporal experience, in which future making in and through uncertainty can be not a source of despair but of hope.