{"title":"历史涂鸦和大众文化。来自《公共考古学》的愿景","authors":"Alberto Polo Romero, Diana Morales Manzanares","doi":"10.23914/AP.V8I1.223","DOIUrl":null,"url":null,"abstract":"The paper we present here contains prehistoric and historical graffiti representation forms in cinema and series aimed at the general audience. Making an analysis of these graffiti as one of the testimonies of emotions, daily life, society worries and its contexts, we consider very relevant its representation in cinema stages throughout history.This text represents a first analysis of typologies, forms, appearance contexts and also graffiti making procedure. Considering all these aspects, we have carried out a comparative analysis between their appearance in these films and the scientific historical graffiti studies from branches as History and Archaeology during the last decades.Accordingly, is our main objective to get deeper into the subject of the past image developed to mass culture within the Public archaeology theoretical framework. ","PeriodicalId":37365,"journal":{"name":"AP Arqueologia Publica","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Historical graffiti and mass culture. A vision from the Public Archaeology\",\"authors\":\"Alberto Polo Romero, Diana Morales Manzanares\",\"doi\":\"10.23914/AP.V8I1.223\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper we present here contains prehistoric and historical graffiti representation forms in cinema and series aimed at the general audience. Making an analysis of these graffiti as one of the testimonies of emotions, daily life, society worries and its contexts, we consider very relevant its representation in cinema stages throughout history.This text represents a first analysis of typologies, forms, appearance contexts and also graffiti making procedure. Considering all these aspects, we have carried out a comparative analysis between their appearance in these films and the scientific historical graffiti studies from branches as History and Archaeology during the last decades.Accordingly, is our main objective to get deeper into the subject of the past image developed to mass culture within the Public archaeology theoretical framework. \",\"PeriodicalId\":37365,\"journal\":{\"name\":\"AP Arqueologia Publica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AP Arqueologia Publica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.23914/AP.V8I1.223\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AP Arqueologia Publica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23914/AP.V8I1.223","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Historical graffiti and mass culture. A vision from the Public Archaeology
The paper we present here contains prehistoric and historical graffiti representation forms in cinema and series aimed at the general audience. Making an analysis of these graffiti as one of the testimonies of emotions, daily life, society worries and its contexts, we consider very relevant its representation in cinema stages throughout history.This text represents a first analysis of typologies, forms, appearance contexts and also graffiti making procedure. Considering all these aspects, we have carried out a comparative analysis between their appearance in these films and the scientific historical graffiti studies from branches as History and Archaeology during the last decades.Accordingly, is our main objective to get deeper into the subject of the past image developed to mass culture within the Public archaeology theoretical framework.
期刊介绍：
AP: Online Journal in Public Archaeology is an international, peer reviewed, open access journal devoted exclusively to Public Archaeology. Edited by JAS Arqueología, it is freely distributed online in order to enable easy access to research and debates, and to spread the growing realm that is starting to settle into everyday archaeological practice. The aim of this journal is to explore the multiple relations between Archaeology and Society. Archaeology is generally understood as the study of past societies from their remains, and Public Archaeology is the study of the relations between Archaeology and Society in every aspect of daily life (social, economic and political). We are talking about the present of Archaeology and the different issues that surround and affect it. Below is a list of key topics covered: -The economic and political impact of Archaeology. -Archaeology as Popular Culture. -The history and development of Archaeology as a professional activity. -Theoretical issues around the publicity of Archaeology. -The image of Archaeology. -Legal issues affecting archaeological practice and the illicit trade of antiquities. -The presentation of Archaeology to the public. Of course, this is not an exhaustive list of topics, which is why the criteria for the preliminary selection of papers are subject to the topic. This journal has been created with the desire to become a reference in the field of Public Archaeology. Therefore, we encourage all of you working within the realm of Public Archaeology to share your thoughts, experiences and ideas in this open medium for the development of Public Archaeology.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
