伯劳鸟的飞翔。安德里亚·德尔·韦罗基奥和列奥纳多·达·芬奇的《基督的洗礼》(公元前1470-1475年)中的鸟类学表现

Q4 Agricultural and Biological Sciences Natural History Sciences Pub Date : 2021-10-28 DOI:10.4081/nhs.2021.538

M. Masseti

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引用次数: 0

摘要

意大利文艺复兴时期的艺术家都是敏锐的自然观察者。他们的作品往往充满了现实的细节，告诉我们他们的科学知识的高度。在安德里亚·德尔·韦罗基奥和列奥纳多·达·芬奇的《基督的洗礼》(公元前1470-1475年)中，对某些鸟类的仔细描绘，包括红背伯劳鸟和红尾鸟，揭示了与基督象征主义密切相关的精确含义。

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The flight of the shrike. The ornithological representation in the Baptism of Christ (1470-1475 c.) by Andrea del Verrocchio and Leonardo da Vinci

The artists of the Italian Renaissance were keen observers of nature. Their works are often enriched with realistic details that inform us about the high degree of their scientific knowledge. In the particular case of the Baptism of Christ (1470-1475 c.) by Andrea del Verrocchio and Leonardo da Vinci, the careful depiction of certain bird species, including a red-backed shrike and a redstart, reveals precise meanings closely related to Christological symbolism.

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