黑人自我

Ashraf Jamal
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引用次数: 0

摘要

当被要求召开一个讨论会,对我来说,在这场持续的大流行中,我定义了艺术世界,我想到了显而易见的西方修正主义,以及对黑人身体的高度痴迷/迷恋。我想知道,为什么黑人肖像是“一种东西”?为什么在所有人中,Amoako Boafo是2020年最受欢迎的黑人肖像画家?为什么,在这个历史时刻,艺术界应该重新分类其驱动问题,重新思考策展,人员配置,教育和访问?因为黑色艺术是新的前沿?因为美国对黑人的屠杀引发了一场翻天覆地的伦理转变?因为帝国主义的幽灵依然存在?
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Black Self
When asked to convene a colloquium about something that, for me, defines the art world during this on-going pandemic, I thought of the obvious – revisionism in the West, and the stratospheric obsession/fetishization of the black body. Why, I wondered, is black portraiture ‘a thing’? And why, of all people, was Amoako Boafo the most sought-after black portraitist in 2020? Why, at this historicalmoment, should the art world reclassify its driving concerns, rethink curation, staffing, education, and access? Because black art is the new frontier? Because of a seismic ethical shift, generated by theslaughter of blacks in America? Because the spectreof imperialism persists?
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