在上帝面前:重建原始历史时期沙漠中的仪式

Q1 Arts and Humanities Entangled Religions Pub Date : 2021-03-30 DOI:10.46586/ER.12.2021.8943
D. Eisenberg-Degen, Roy Galili, S. Rosen
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引用次数: 3

摘要

考古遗迹是一个潜在的数据宝库,与对仪式的研究一起,可以重建和评估社会和宗教结构及其复杂性。集中研究南黎凡特沙漠的Timnian文化(公元前六千年至公元前三千年晚期),我们回顾了驯化山羊后发生的变化,并注意到居住地点和与社会等级有关的仪式巨石纪念碑之间的对比。沙漠风筝、露天神殿和石冢反映了有组织的公共劳动和使用,加强了部落身份和领土定义的需要。露天神殿的朝向反映了一种与死亡和太平间有关的宇宙观。中国的岩石艺术包括地画和岩画。地理符号与露天神殿有关,而岩画代表了一种稍晚的发展,最初与仪式无关。根据所使用的岩石艺术曲目和风格,我们认为orant是通过与阿拉德的贸易与北方文化接触后融入了帝汶文化的。岩石艺术也突出了中期青铜时代内盖夫的外国实体。
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Before God: Reconstructing Ritual in the Desert in Proto-Historic Times
Archaeological remains are a trove of potential data which, together with the study of ritual, enable reconstruction and evaluation of social and religious structures and complexity. Concentrating on the Timnian culture (sixth to late third millennium BCE) of the Southern Levant deserts, we review the changes that took place with the adoption of the domesticated goat, noting the contrast between habitation sites and ritual related megalithic monuments regarding social hierarchy. Desert kites, open-air shrines, and cairns reflect organized communal labour and use, reinforcing tribal identity and the need for territorial definition. The orientation of the open-air shrines reflects a cosmology related to death and mortuary. Timnian Rock art comprises geoglyphs and petroglyphs. Geoglyphs are associated with open air shrines while petroglyphs represent a slightly later development initially unrelated to ritual. In accordance with the rock art repertoire and styles employed, we suggest that the orant was integrated into the Timnian culture following contact with northern cultures by way of trade with Arad. Rock art also highlights foreign entities in the Negev during the Intermediate Bronze age.
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来源期刊
Entangled Religions
Entangled Religions Arts and Humanities-Religious Studies
CiteScore
1.10
自引率
0.00%
发文量
47
审稿时长
24 weeks
期刊最新文献
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