{"title":"屏幕上的大众缪斯。21世纪的西班牙女诗人","authors":"Genara Pulido Tirado","doi":"10.5944/signa.vol29.2020.23416","DOIUrl":null,"url":null,"abstract":"Abstract: In this article we study the so-called new poetry boom, an interartistic phenomenon that emerged in the 21st century and in which women have a prominent role. The new historical framework in which it has taken place is analyzed, as well as the debate generated above all by academic critics who do not consider that the texts produced are poetic.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"MUSAS DE MASAS EN LAS PANTALLAS. MUJERES POETAS ESPAÑOLAS EN EL SIGLO XXI\",\"authors\":\"Genara Pulido Tirado\",\"doi\":\"10.5944/signa.vol29.2020.23416\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: In this article we study the so-called new poetry boom, an interartistic phenomenon that emerged in the 21st century and in which women have a prominent role. The new historical framework in which it has taken place is analyzed, as well as the debate generated above all by academic critics who do not consider that the texts produced are poetic.\",\"PeriodicalId\":54036,\"journal\":{\"name\":\"Signa-Revista de la Asociacion Espanola de Semiotica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-04-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Signa-Revista de la Asociacion Espanola de Semiotica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5944/signa.vol29.2020.23416\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signa-Revista de la Asociacion Espanola de Semiotica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/signa.vol29.2020.23416","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
MUSAS DE MASAS EN LAS PANTALLAS. MUJERES POETAS ESPAÑOLAS EN EL SIGLO XXI
Abstract: In this article we study the so-called new poetry boom, an interartistic phenomenon that emerged in the 21st century and in which women have a prominent role. The new historical framework in which it has taken place is analyzed, as well as the debate generated above all by academic critics who do not consider that the texts produced are poetic.
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