十字架之路的图像:葡萄牙北部和中部的仪式、神圣化和奉献场景

M. Rocha, Sofía Nunes Vechina
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引用次数: 0

摘要

从12和13世纪开始,激情派的宗教信仰逐渐建立起来,受到方济各会的模仿、冥想和对基督的奉献的理想的鼓励,圣方济各成为悲伤的人类的形象,因为他接受了基督的印记。中世纪对耶稣受难的崇拜,在特伦特大公会议上得到重申,一直延续到现代,并在今天以灵性和大众奉献的形式保存下来,通过基督受难的艺术形象,以及对维拉·克鲁兹(Vera Cruz)遗物的崇拜,裹尸布等来体验。礼拜仪式和虔诚在宗教仪式中使用这些图像,其中圣周仪式突出,以及在戏剧表演中,图像作为两个世界之间的媒介,尘世和天国,跟随十字架站的行程,从15世纪开始,让我们重温基督在圣地的尘世生活的最后阶段。
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Imagens da Via Crucis: cenários de ritualização, sacralização e devoção, no norte e centro de Portugal
Passionist religiosity was gradually established from the 12th and 13th centuries onwards, encouraged by the Franciscan ideals of imitation, meditation, and devotion to Christ, with St. Francis becoming the very image of sorrowful humanity as he received the stigmata of Christ. The medieval cult of the Passion, reiterated in the Council of Trent, continued into the Modern Age, and is preserved today in manifestations of spirituality and popular devotion, experienced through artistic images of the Passion of Christ, as well as the veneration of relics of Vera Cruz, the shroud, among others. The liturgy and devotion have used and still use these images in religious solemnities, of which the Holy Week ceremonies stand out, as well as in theatrical performances in which the image serves as a vehicle mediating between two worlds, the earthly and the celestial, following the itineraries of the Stations of the Cross which, from the 15th century onwards, allow us to relive the final stages of Christ’s earthly life in the Holy Land.
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