{"title":"从对乔治亚·奥基夫作品的接受看现代主义天才","authors":"K. Rosiejka","doi":"10.2478/mik-2022-0006","DOIUrl":null,"url":null,"abstract":"Summary The text analyzes the discourse on modernist genius functioning within the critical reception of the works of an American abstract painter Georgia O’Keeffe in the 1910s and 1920s. The aim is to reflect on how the understanding of O’Keeffe as an atypical artist in the masculinized reality of her time influenced the views on the ideal of genius articulated by art critics during the discussed period. The text also aims to revise some concepts regarding the painter’s presence in the artistic world and the position of her artwork therein.","PeriodicalId":36225,"journal":{"name":"Art History and Criticism","volume":"54 1","pages":"118 - 133"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Modernist Genius in the Light of the Reception of Georgia O’Keeffe’s Work\",\"authors\":\"K. Rosiejka\",\"doi\":\"10.2478/mik-2022-0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Summary The text analyzes the discourse on modernist genius functioning within the critical reception of the works of an American abstract painter Georgia O’Keeffe in the 1910s and 1920s. The aim is to reflect on how the understanding of O’Keeffe as an atypical artist in the masculinized reality of her time influenced the views on the ideal of genius articulated by art critics during the discussed period. The text also aims to revise some concepts regarding the painter’s presence in the artistic world and the position of her artwork therein.\",\"PeriodicalId\":36225,\"journal\":{\"name\":\"Art History and Criticism\",\"volume\":\"54 1\",\"pages\":\"118 - 133\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art History and Criticism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2478/mik-2022-0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art History and Criticism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/mik-2022-0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Modernist Genius in the Light of the Reception of Georgia O’Keeffe’s Work
Summary The text analyzes the discourse on modernist genius functioning within the critical reception of the works of an American abstract painter Georgia O’Keeffe in the 1910s and 1920s. The aim is to reflect on how the understanding of O’Keeffe as an atypical artist in the masculinized reality of her time influenced the views on the ideal of genius articulated by art critics during the discussed period. The text also aims to revise some concepts regarding the painter’s presence in the artistic world and the position of her artwork therein.
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