{"title":"看不见的加速器","authors":"Diana Ayton-Shenker","doi":"10.1162/leon_e_02320","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This article is a reflection on a journey of transdisciplinary partners from two different and unusually paired “sets” of disciplines: photography art (Silvio Wolf, SW) and cross-pollinated research in the fields of applied clinical neuroscience and psychoanalysis (Inna Rozentsvit, IR). This relationship originated in examining the “beholder’s share” phenomenon and moved on to further collaboration on the topics of “thresholds” and “visible/invisible,” as they relate to these two individuals’ personal and professional beings.","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"1 1","pages":"2-2"},"PeriodicalIF":0.0000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Invisible Accelerators\",\"authors\":\"Diana Ayton-Shenker\",\"doi\":\"10.1162/leon_e_02320\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This article is a reflection on a journey of transdisciplinary partners from two different and unusually paired “sets” of disciplines: photography art (Silvio Wolf, SW) and cross-pollinated research in the fields of applied clinical neuroscience and psychoanalysis (Inna Rozentsvit, IR). This relationship originated in examining the “beholder’s share” phenomenon and moved on to further collaboration on the topics of “thresholds” and “visible/invisible,” as they relate to these two individuals’ personal and professional beings.\",\"PeriodicalId\":93330,\"journal\":{\"name\":\"Leonardo (Oxford, England)\",\"volume\":\"1 1\",\"pages\":\"2-2\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Leonardo (Oxford, England)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/leon_e_02320\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Leonardo (Oxford, England)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/leon_e_02320","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ABSTRACT:This article is a reflection on a journey of transdisciplinary partners from two different and unusually paired “sets” of disciplines: photography art (Silvio Wolf, SW) and cross-pollinated research in the fields of applied clinical neuroscience and psychoanalysis (Inna Rozentsvit, IR). This relationship originated in examining the “beholder’s share” phenomenon and moved on to further collaboration on the topics of “thresholds” and “visible/invisible,” as they relate to these two individuals’ personal and professional beings.
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