{"title":"逃亡录像:1980年代纽约夜总会的艺术","authors":"G. Zinman","doi":"10.1353/cj.2023.a904629","DOIUrl":null,"url":null,"abstract":"abstract:This article examines the untold history of video art in New York City nightclubs of the 1980s. Shaped by communal practice, fueled by narcotics, and backed by the mob, clubs provided a radically different milieu than the art world for the making, exhibition, and reception of video art.","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fugitive Video: Art in 1980s New York Nightclubs\",\"authors\":\"G. Zinman\",\"doi\":\"10.1353/cj.2023.a904629\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This article examines the untold history of video art in New York City nightclubs of the 1980s. Shaped by communal practice, fueled by narcotics, and backed by the mob, clubs provided a radically different milieu than the art world for the making, exhibition, and reception of video art.\",\"PeriodicalId\":55936,\"journal\":{\"name\":\"JCMS-Journal of Cinema and Media Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JCMS-Journal of Cinema and Media Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cj.2023.a904629\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JCMS-Journal of Cinema and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cj.2023.a904629","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
abstract:This article examines the untold history of video art in New York City nightclubs of the 1980s. Shaped by communal practice, fueled by narcotics, and backed by the mob, clubs provided a radically different milieu than the art world for the making, exhibition, and reception of video art.
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