描述叙事角色心理维度的声音。来自佛兰德案例研究的见解。

Q3 Arts and Humanities Punctum International Journal of Semiotics Pub Date : 2020-10-16 DOI:10.18680/hss.2020.0005
Bonnie Geerinck, Gert Vercauteren
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引用次数: 1

摘要

音频描述(AD)是一项为视障者提供的服务,通过口头描述他们无法访问的视觉元素,使他们能够访问影视剧等视听内容。这种形式的多式联运翻译带来了各种挑战。其中之一是如何口头呈现叙事角色的情绪、感受和其他心理状态,即我们从屏幕上显示的具体动作、面部表情和手势中推断出的元素。在实践中,我们可以使用各种策略,从客观的“描述你所看到的”方法到更具解释性的、主观的描述,明确地命名视觉效果背后的心理状态。尽管早期的广告指南推荐客观描述,但最近的研究表明,更主观的方法可能会为目标受众在故事世界中的沉浸感或强加的认知负荷方面提供各种优势。在本文中,我们提出了一个案例研究的结果,包括分析来自不同荷兰语电视连续剧的三集,以探讨a)语音描述者使用什么策略来表达心理状态以及b)他们在客观-主观连续体中的位置。结果表明,与指南所建议的相反,这些描述更接近于连续体的主观方面,这表明,当将视觉元素翻译成口头形式时,音频描述者倾向于超越屏幕来推断隐含的潜在含义。
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Audio describing the mental dimension of narrative characters. Insights from a Flemish case study.
Audio description (AD) is a service for people with sight loss that makes audiovisual content such as films and TV series accessible to them by verbally describing the visual elements they cannot access. This form of intermodal translation entails various challenges. One of them is how to render orally the emotions, feelings, and other mental states of narrative characters, i.e., elements that we infer from concrete actions, facial expressions, and gestures shown on screen. In practice, we can use various strategies, situated on a continuum ranging from an objective ‘describe what you see’ approach to more interpretative, subjective descriptions, explicitly naming the mental state underlying the visuals. Although early AD guidelines recommend objective descriptions, recent research has indicated that more subjective approaches may offer various advantages to target audiences in terms of immersion in the story world or imposed cognitive load. In this paper, we present the results of a case study involving the analysis of three episodes from different Dutch-spoken TV series to explore a) what strategies audio describers use to express mental states and b) where do they stand on the objective-subjective continuum. The results show that, contrary to what the guidelines recommend, the descriptions are situated nearer the subjective side of the continuum, suggesting that, when translating visual elements into a verbal form, audio describers tend to look beyond the screen to infer the implicit underlying meaning.
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来源期刊
Punctum International Journal of Semiotics
Punctum International Journal of Semiotics Social Sciences-Linguistics and Language
CiteScore
0.60
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0.00%
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