The Drama in the Sentence: Sequence as a Crucial Challenge for Literary Translation from and to Korean

In translation, carefully-crafted sentences are exposed to myriad dangers. This is because translators tend to prioritize syntactical fidelity at the expense of sequence, that is, the order of elements insofar as this relates to calculated progression, gradual disclosure of information, and cumulative development of meaning. But if sequence is turned around for the sake of fluency (conforming to the target language’s ostensibly “natural” word order), the reader’s experience changes as well. Through a set of examples drawn from English translations of Korean fiction, this article demonstrates that the common disregard for sequence is tantamount to a neglect of drama and suspense, of narrative perspectivation, of rhetorical sophistication and cognitive effect. But we also see that by favoring functional equivalence over imitation of grammatical dependencies, it is perfectly possible to allow the reader to process all information at a pace that is analogous to that of the original. Our findings provide insights that are of significance for other language pairings as well.