什么是美国白人?梅尔维尔《红本》中的种族、移民和民族

IF 0.1 0 LITERATURE, AMERICAN J19-The Journal of Nineteenth-Century Americanists Pub Date : 2020-04-08 DOI:10.1353/jnc.2020.0001
R. Levine
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引用次数: 0

摘要

摘要:本文认为梅尔维尔的第四部小说《红本》(1849)是19世纪关于种族和移民的伟大作品之一,它以一种有先见之明的方式展望了我们当前关于移民和边境墙的争论。这本书的重点是梅尔维尔对爱尔兰移民的描述,他们被描绘成难民和凯尔特人,他们比盎格鲁-撒克逊人更“白”。因此,梅尔维尔将爱尔兰人与黑人(有时)和奴隶联系起来。根据Agamben等人最近对难民的研究,以及对奴隶制和白人的研究,这篇文章将梅尔维尔的这部跨大西洋小说与19世纪中期英国和美国关于大饥荒中流离失所、无国籍的爱尔兰人的辩论联系起来。《红本》对美国白人国家的局限甚至残暴进行了尖锐的描述,是我们现在应该阅读的梅尔维尔小说。
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What Is the White American? Race, Emigration, and Nation in Melville's Redburn
Abstract:The essay argues that Melville's fourth novel, Redburn (1849), is one of the great nineteenth-century works about race and emigration, and a work that looks forward in prescient ways to our current debate about emigrants and a border wall. The focus is on Melville's depiction of Irish emigrants, who are presented both as refugees and as Celts who are less "white" than the Anglo-Saxons. Melville thus links the Irish analogously to blacks and (at times) to slaves. Drawing on recent work on refugee studies by Agamben and others, and on slavery and whiteness studies, the essay situates Melville's transatlantic novel in relation to mid-19th-century debates in England and the US on the displaced, stateless Irish of the Great Famine. For its trenchant account of the limits and even brutality of the white US nation, Redburn is the Melville novel we should be reading right now.
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