{"title":"中澳50周年:新浪潮戏剧与戏剧文化交流","authors":"A. Pender","doi":"10.1080/14443058.2022.2099951","DOIUrl":null,"url":null,"abstract":"ABSTRACT 2022 marks the 50th anniversary of the opening up of relations between Australia and the People’s Republic of China. When he became prime minister in 1972, Gough Whitlam sent the first ambassador to China (Dr Stephen Fitzgerald), and in his term of office established support for artists’ exchanges from the Australia Council. The Australian Ballet visited China in 1980, the first major ballet company to tour since the Cultural Revolution. The touring of China by Australian theatre, opera and dance companies has flourished since then, particularly over the last decade, and Australian spoken-word drama has featured in the relationship between the two countries since 1983. Since the 1980s, the work of the New Wave dramatists has captured the interest of Chinese audiences over a sustained period beyond the years of the New Wave itself. The theatre has, in some respects, provided a respite from the rigours of realpolitik and most importantly a means of genuine interaction between ordinary Australians and Chinese citizens who make up the audiences. This article documents the take-up of the New Wave drama in China, and the legacy of the relationships created in this formative period of Australian theatre in its international context.","PeriodicalId":51817,"journal":{"name":"Journal of Australian Studies","volume":"112 1","pages":"482 - 495"},"PeriodicalIF":0.4000,"publicationDate":"2022-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Australia and China at 50: The New Wave Theatre and the Drama of Cultural Exchange\",\"authors\":\"A. Pender\",\"doi\":\"10.1080/14443058.2022.2099951\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT 2022 marks the 50th anniversary of the opening up of relations between Australia and the People’s Republic of China. When he became prime minister in 1972, Gough Whitlam sent the first ambassador to China (Dr Stephen Fitzgerald), and in his term of office established support for artists’ exchanges from the Australia Council. The Australian Ballet visited China in 1980, the first major ballet company to tour since the Cultural Revolution. The touring of China by Australian theatre, opera and dance companies has flourished since then, particularly over the last decade, and Australian spoken-word drama has featured in the relationship between the two countries since 1983. Since the 1980s, the work of the New Wave dramatists has captured the interest of Chinese audiences over a sustained period beyond the years of the New Wave itself. The theatre has, in some respects, provided a respite from the rigours of realpolitik and most importantly a means of genuine interaction between ordinary Australians and Chinese citizens who make up the audiences. This article documents the take-up of the New Wave drama in China, and the legacy of the relationships created in this formative period of Australian theatre in its international context.\",\"PeriodicalId\":51817,\"journal\":{\"name\":\"Journal of Australian Studies\",\"volume\":\"112 1\",\"pages\":\"482 - 495\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-07-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Australian Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/14443058.2022.2099951\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Australian Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/14443058.2022.2099951","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
Australia and China at 50: The New Wave Theatre and the Drama of Cultural Exchange
ABSTRACT 2022 marks the 50th anniversary of the opening up of relations between Australia and the People’s Republic of China. When he became prime minister in 1972, Gough Whitlam sent the first ambassador to China (Dr Stephen Fitzgerald), and in his term of office established support for artists’ exchanges from the Australia Council. The Australian Ballet visited China in 1980, the first major ballet company to tour since the Cultural Revolution. The touring of China by Australian theatre, opera and dance companies has flourished since then, particularly over the last decade, and Australian spoken-word drama has featured in the relationship between the two countries since 1983. Since the 1980s, the work of the New Wave dramatists has captured the interest of Chinese audiences over a sustained period beyond the years of the New Wave itself. The theatre has, in some respects, provided a respite from the rigours of realpolitik and most importantly a means of genuine interaction between ordinary Australians and Chinese citizens who make up the audiences. This article documents the take-up of the New Wave drama in China, and the legacy of the relationships created in this formative period of Australian theatre in its international context.
期刊介绍:
The Journal of Australian Studies (JAS) is the journal of the International Australian Studies Association (InASA). In print since the mid-1970s, in the last few decades JAS has been involved in some of the most important discussion about the past, present and future of Australia. The Journal of Australian Studies is a fully refereed, international quarterly journal which publishes scholarly articles and reviews on Australian culture, society, politics, history and literature. The editorial practice is to promote and include multi- and interdisciplinary work.