表演机器

Q3 Arts and Humanities Drawing: Research, Theory, Practice Pub Date : 2021-12-01 DOI:10.1386/drtp_00069_3
Sanneke Huisman, Sven Schlijper-Karssenberg
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引用次数: 0

摘要

在本文中,艺术史学家Sanneke Huisman和策展人Sven Schlijper-Karssenberg基于Jorrit Paaijmans最近的行为装置Radical drawing Device (RDD)来讨论他的绘画实践。豪斯曼和施里珀-卡森伯格展示了物理和工艺概念在Paaijmans的超级绘画实践中所起的重要作用,并展示了Paaijmans如何利用这些概念来质疑与艺术实践和绘画学科相关的机械化和工艺。本文的案例研究RDD是由Paaijmans制造的纹身机,它只能执行一个动作:在艺术家的手臂上涂抹一条直线。作者认为,通过RDD, Paaijmans继续了他对物质性的研究,并反思了绘画与技术、时间和时间流逝的关系。这篇论文进一步阐明了这项工作如何鼓励人们反思在技术社会中做人。
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The performing machine
In this paper, art historian Sanneke Huisman and curator Sven Schlijper-Karssenberg discuss Jorrit Paaijmans’s drawing practice based on his recent performance installation Radical Drawing Device (RDD). Huisman and Schlijper-Karssenberg show the important role notions of physicality and craftsmanship play in Paaijmans’s hyperdrawing practice and demonstrate the ways in which Paaijmans uses these notions to question mechanization and craftsmanship in relation to the artistic practice and discipline of drawing. RDD, the case study of this text, is a tattoo machine made by Paaijmans that can only perform one action: applying a straight line onto the artist’s arm. The authors argue that with RDD, Paaijmans continues his research into physicality, as well as reflects on the status of drawing in relation to technology, time and the passage of time. The paper further shines light on the ways in which the work encourages reflection on being human in a technological society.
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来源期刊
Drawing: Research, Theory, Practice
Drawing: Research, Theory, Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
11
期刊最新文献
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