杜密特鲁·特里芬在讽刺图形领域的艺术路径

Q3 Social Sciences Journal of Social Sciences Pub Date : 2023-04-01 DOI:10.52326/jss.utm.2023.06(1).04
L. Adascalita
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引用次数: 0

摘要

本研究的目的是通过突出由他签名的图形表的特殊性,反映塑料艺术家Dumitru Trifan在讽刺图形领域富有成效的活动。经过广泛的分析,人们注意到,几十年来,塑料艺术家Dumitru Trifan在漫画领域表现出色。因此,主人公与其他知名漫画家一起,在最著名的期刊上大量发表讽刺和幽默的漫画,如《列宁主义》杂志和《妇女》杂志以及讽刺和幽默杂志《chiparuki》。与此同时,在上世纪80年代初,作为《文学周刊》的插画师,Dumitru Trifan在本报的版面上详细阐述并发表了大量的漫画。我经常惊讶于这些情景是如何扭曲现实的,以及危机核心的处理是如何大胆的。杜密特鲁·特里芬运用了广泛的主题范围,通过这些主题,他突出了配偶之间的关系以及工人与官僚之间的关系;他还幽默而又讽刺地呈现了冷酷和骗子、不负责任的人以及其他人的形象。因此,艺术家对形象的扭曲有时是讽刺的,对人物或风景有时是亲切的。而色调的染色,就像一个随意的游戏,强烈而富有表现力。
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The artistic path of Dumitru Trifan in the field of satirical graphics
The objectives of this study are to mirror the fruitful activity of the plastic artist Dumitru Trifan in the field of satirical graphics by highlighting the particularities of the graphic sheets signed by him. As a result of extensive analysis, it is noted that the plastic artist Dumitru Trifan has excelled in the field of caricature for several decades. Thus, the protagonist, together with other established cartoonists, intensively publishes ironic and humorous cartoons on the pages of the most famous periodicals, such as the magazines Scînteia Leninistă and Femeia Moldovei and the satire and humor magazine Chiparuş. At the same time, at the beginning of the 1980s of the last century, as an illustrator for the weekly Literatura si Arta, Dumitru Trifan elaborates and publishes an impressive number of caricatures on the pages of this newspaper. I am constantly amazed by how these scenarios are twisted from reality and how boldly the crises' core is handled. Dumitru Trifan practiced a vast thematic spectrum through which he brought to the fore the relations between spouses and those between the working man and the bureaucrat; he also presented humorously but also sarcastically the images of the chilling and the trickster, of irresponsible people, and others. Thus, the artist is sometimes sarcastic in the distortion of the image and sometimes cordial and kind to the character or landscape. And the tonal stain, like an arbitrary game, is intense and expressive.
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来源期刊
Journal of Social Sciences
Journal of Social Sciences Social Sciences-Social Sciences (all)
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
6 weeks
期刊介绍:
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