{"title":"而歌德的本人也是艺术史的起源","authors":"Erik Forssman","doi":"10.1080/00233609908604489","DOIUrl":null,"url":null,"abstract":"(1999). Goethe als biograph und die ursprunge der kunstgeschichte. Konsthistorisk tidskrift/Journal of Art History: Vol. 68, No. 3, pp. 137-153.","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Goethe als biograph und die ursprünge der kunstgeschichte\",\"authors\":\"Erik Forssman\",\"doi\":\"10.1080/00233609908604489\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"(1999). Goethe als biograph und die ursprunge der kunstgeschichte. Konsthistorisk tidskrift/Journal of Art History: Vol. 68, No. 3, pp. 137-153.\",\"PeriodicalId\":41575,\"journal\":{\"name\":\"KONSTHISTORISK TIDSKRIFT\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"1999-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"KONSTHISTORISK TIDSKRIFT\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00233609908604489\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"KONSTHISTORISK TIDSKRIFT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00233609908604489","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
期刊介绍：
Konsthistorisk tidskrift/Journal of Art History includes investigations on art, architecture, and visual culture. We welcome articles on works, creators, and specific themes, as well as on theory and historiography. Accepted articles can be thorough explorations of a topic in accordance with a standard academic genre. We also welcome texts in a shorter, less finished format, functioning as openings to discussions.
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