Camila Alonso Milani
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摘要

本文试图分析诞生于韩国的K-pop(次)音乐类型如何能够在流行音乐和韩国身份中描绘文化混合主义的反映。为此目的,对事实和历史资料进行了调查,以证明几个世纪以来朝鲜人民遭受的文化认同压制,直到它作为一个独立的国家得到巩固。然后,从战后的背景出发,分析了北美对该国音乐轨迹和流行文化建设的影响。最后,研究了所有这些干扰因素在韩国身份固化中的作用,以及全球化在韩流亚文化的建立和半岛国家在世界上的新地位中的作用
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K-pop. Os reflexos do hibridismo cultural na identidade e na música popular coreana
This article seeks to analyze how K-pop, (sub) musical genre born in South Korea, is able to portray reflexes of cultural hybridism in pop music and in South Korean identity. To this end, a survey of facts and historical data was carried out to demonstrate the cultural identity suppression suffered by the Korean people over the centuries, until its consolidation as an independent nation. Then, from the post-war context, an analysis is made of the North American influence on the country's trajectory in music and in the construction of its pop culture. Finally, the role of all these interferences in the solidification of the South Korean identity is investigated, as well as the role of globalization in the establishment of the K-popper subculture and the new position of the peninsular country in the world
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