{"title":"《变形与乐器分类》","authors":"Deirdre Loughridge","doi":"10.1080/01411896.2021.1949307","DOIUrl":null,"url":null,"abstract":"It’s the year 1740. The viol, recently favored instrument of the French aristocracy, has been losing admirers while the violin has been gaining them. As a viol enthusiast, you wish to make a persuasive argument for the continued cultivation and appreciation for viol playing. How do you make the case? The most obvious strategy would be to appeal to that oft-cited emblem of peak musicality: the voice. Marin Mersenne measured the viol against the voice in his Harmonie universelle (1636), finding favorably:","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Metamorphosis and the Taxonomy of Musical Instruments\",\"authors\":\"Deirdre Loughridge\",\"doi\":\"10.1080/01411896.2021.1949307\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"It’s the year 1740. The viol, recently favored instrument of the French aristocracy, has been losing admirers while the violin has been gaining them. As a viol enthusiast, you wish to make a persuasive argument for the continued cultivation and appreciation for viol playing. How do you make the case? The most obvious strategy would be to appeal to that oft-cited emblem of peak musicality: the voice. Marin Mersenne measured the viol against the voice in his Harmonie universelle (1636), finding favorably:\",\"PeriodicalId\":42616,\"journal\":{\"name\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01411896.2021.1949307\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSICOLOGICAL RESEARCH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01411896.2021.1949307","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Metamorphosis and the Taxonomy of Musical Instruments
It’s the year 1740. The viol, recently favored instrument of the French aristocracy, has been losing admirers while the violin has been gaining them. As a viol enthusiast, you wish to make a persuasive argument for the continued cultivation and appreciation for viol playing. How do you make the case? The most obvious strategy would be to appeal to that oft-cited emblem of peak musicality: the voice. Marin Mersenne measured the viol against the voice in his Harmonie universelle (1636), finding favorably:
期刊介绍：
The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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