从苏联到后苏联社会过渡时期爱沙尼亚朋克场景中的女性体验

Q1 Arts and Humanities Punk and Post-Punk Pub Date : 2022-05-07 DOI:10.1386/punk_00145_1
Brigitta Davidjants
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引用次数: 0

摘要

本文考察了前苏联后期(1970 - 80年代)和后苏联初期(1990 - 2000年)塔林(爱沙尼亚)朋克场景中的女性经历。作者感兴趣的是女性如何在这些场景中感知自己的身份,以及与主流文化的关系,以及塔林的城市空间在场景创作中的作用。这篇文章特别强调了在一个见证了苏联统治崩溃的社会背景下,女性经历这些场景的一致性。本文的理论背景是亚文化和性别研究。用于分析的材料主要来自对有关亚文化成员的深入访谈,但也包括参与性观察和个人经验的数据。在解读数据时,作者将定性的内容分析和语篇分析(包括语境分析)相结合。
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Women’s experience in Estonian punk scenes during the transition from Soviet to post-Soviet society
The article examines women’s experiences in the punk scenes of Tallinn (Estonia) during the late Soviet (1970s–80s) and the initial post-Soviet period (1990s–2000s). The author is interested in how women perceived their identity inside those scenes and in relation to mainstream culture, as well as in the role of Tallinn’s urban space in scene creation. The article places a particular emphasis on examining the consistency in women’s experience of those scenes in the context of a society that witnessed the crumbling of Soviet rule. Theoretical background for the article is provided by subculture and gender studies. The material for analysis is drawn primarily from in-depth interviews with members of the subcultures concerned but also includes data from participatory observation and personal experience. In interpreting the data, the author has combined qualitative content analysis and discourse analysis (including context analysis).
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来源期刊
Punk and Post-Punk
Punk and Post-Punk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
35
期刊最新文献
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