{"title":"文学与危机:书写尊严","authors":"R. Olea","doi":"10.7764/68.19","DOIUrl":null,"url":null,"abstract":"This essay asks the question of writing and the modes of narrating the crisis produced by the social outbreak in Chile. It aims at thinking possible languages for several aesthetic productions: texts, bodies, individual and collective signs that have enabled to propose meanings. The essay engages with languages written during or after the social outbreak; in a traditional genre or in an unconventional writing proposal; either on paper or using other mediums; with recognized authorship or in the anonymity of the streets and the popular voice. These languages show that the unknown, the still unsaid, the still without history are named in the imaginary power of diverse writings. Such diversity produces an enrichment of the literary in the way it relates to history.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":"6 1","pages":"331-348"},"PeriodicalIF":0.3000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Literatura y crisis: escribir la dignidad\",\"authors\":\"R. Olea\",\"doi\":\"10.7764/68.19\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay asks the question of writing and the modes of narrating the crisis produced by the social outbreak in Chile. It aims at thinking possible languages for several aesthetic productions: texts, bodies, individual and collective signs that have enabled to propose meanings. The essay engages with languages written during or after the social outbreak; in a traditional genre or in an unconventional writing proposal; either on paper or using other mediums; with recognized authorship or in the anonymity of the streets and the popular voice. These languages show that the unknown, the still unsaid, the still without history are named in the imaginary power of diverse writings. Such diversity produces an enrichment of the literary in the way it relates to history.\",\"PeriodicalId\":43414,\"journal\":{\"name\":\"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico\",\"volume\":\"6 1\",\"pages\":\"331-348\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7764/68.19\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/68.19","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
This essay asks the question of writing and the modes of narrating the crisis produced by the social outbreak in Chile. It aims at thinking possible languages for several aesthetic productions: texts, bodies, individual and collective signs that have enabled to propose meanings. The essay engages with languages written during or after the social outbreak; in a traditional genre or in an unconventional writing proposal; either on paper or using other mediums; with recognized authorship or in the anonymity of the streets and the popular voice. These languages show that the unknown, the still unsaid, the still without history are named in the imaginary power of diverse writings. Such diversity produces an enrichment of the literary in the way it relates to history.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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