一起对抗年龄歧视:哺乳动物潜水反射的所有性行为

H. Lee
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引用次数: 0

摘要

总部位于多伦多的加拿大戏剧团体“哺乳动物潜水反射”从2010年到现在,通过在城市巡回演出《我曾经有过的所有性》(简称为AtS),制作了各种版本,包括2014年在多伦多举行的AtS国际版。在本文中,Heunjung Lee分析了多个城市版本的现场表演,其中最著名的是《at - gwangmyeong》(2021年),以了解它在老年社区表演者、年轻创作团队成员和观众之间安装的关系美学和戏剧。通过展示老年人在舞台上的表演力量,记录、记忆和对抗深深植根于包括加拿大在内的许多文化中的年龄歧视观点,这一版本和其他版本的AtS揭示并反对围绕老年人性行为的年龄歧视污名。李兴中(Heunjung Lee)利用这一分析,将非专业的老年演员重新定义为老龄化专家,并借鉴了描述现实剧场非专业演员的“日常专家”概念。这个新术语阐释了老年表演者的慷慨、脆弱和力量,他们通过分享自己独特的经验和对衰老、性和生活的看法,来对抗年龄歧视观念和对老年的假设。
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En/Countering Ageism Together: All the Sex I’ve Ever Had by Mammalian Diving Reflex
Toronto-based Canadian theatre group Mammalian Diving Reflex produced various editions resulting from its city tour of the performance All the Sex I’ve Ever Had (shortened as AtS) from 2010 to present, including AtS-International Edition (2014) in Toronto. In this article, Heunjung Lee analyzes the live performance of multiple city editions, most notably AtS-Gwangmyeong (2021), to understand the relational aesthetics and dramaturgy it installs among older community performers, younger creative team members, and the audience. By demonstrating the performative power of aged citizens on stage to document, remember, and combat the ageist perspectives that are deeply rooted in many cultures, including Canada, this and other editions of AtS reveal and counter the ageist stigma around the sexuality of older adults. Heunjung Lee draws on this analysis to reframe non-professional older performers as experts of age/ing, drawing on the notion of “experts of everyday” which describes non-professional performers in Reality Theatre. This new term illuminates the generosity, vulnerability, and power of the older performers who (en)counter ageist perceptions and assumptions against old age by sharing their unique experience and view of ageing, sex, and life.
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来源期刊
Theatre Research in Canada-Recherches Theatrales au Canada
Theatre Research in Canada-Recherches Theatrales au Canada Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
期刊介绍: Theatre Research in Canada is published twice a year under a letter of agreement between the Graduate Centre for the Study of Drama, University of Toronto, the Association for Canadian Theatre Research, and Queen"s University.
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