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摘要

本文认为,由于纹章符号在纹章中的语言化,其主要功能是通过一套特定的语言结构来描述纹章。本文从交际功能的角度分析了纹章符号作为文化的精华。纹章符号单位有一些特殊的特点,即其多功能取向、多重解释的可能性、提名机制的存在等。从洛特曼的作品中提取的符号的中介和记忆功能,在小说的纹章符号中表现为文化记忆的机制之一,因此,符号是符号学领域的中介。由于纹章符号是在社会中被强化的,因此,在功能列表的补充中还考虑到了社会维度,从而揭示了纹章符号的识别-整合和适应-调节功能的本质。多模态意象和联觉效应的概念体现在语言符号和非语言符号的相互作用中,并被用于分析英语小说材料上的烙印。作者对符号的主要功能和次要功能进行了分类,补充了符号功能的主题。研究的重点也是识别功能,从而强调了一种特殊的纹章语言在表达个性方面的作用。本文从纹章的类型出发,探讨了双关语、暗示性纹章以及外来语纹章词汇的编码功能。本文通过阐释纹章符号在英语小说和诗歌作品中的作用来揭示其贯穿全文的思想,并将纹章符号定义为不仅是一种语言单位,而且是一种文化符号现象。
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The functions of heraldic symbols in the English fiction
The article considers the main functions performed by heraldic symbols due to their verbalization in blazons as descriptions of coats of arms by a specific set of language constructs. Heraldic symbols as the quintessence of culture are analyzed in the communicative-functional aspect. There are some special characteristics of heraldic symbolic units, namely, their multifunctional orientation, the possibility of multiple interpretations, the presence of a nomination mechanism, and others. The mediative and mnemonic functions of symbols, taken from the works of Lotman, are manifested in the heraldic symbols of fiction as one of the mechanisms of cultural memory, therefore, the symbol is a mediator of the semiosis spheres. The list of functions is supplemented by the consideration of the social dimension, because heraldic symbols are potentiated in the society, therefore, the essence of the identification-integrative and adaptive-regulatory functions of heraldic symbolism is revealed. The concepts of multimodal imagery and synesthesia effect, which are embodied in the interaction of verbal and nonverbal symbols, are involved in the analysis of the blazons on the material of English fiction. The theme of symbols functioning is supplemented by the classification of the main functions and subfunctions proposed by the author. The focus of the study is also the identification function, resulting in an emphasis on the role of a special heraldic language in the expression of the personality. Taking into account the types of coats of arms, the article considers the coding function in the punning and allusive coats of arms, as well as in the heraldic lexemes borrowed from other languages. The cross-cutting idea of the article is revealed through the interpretation of heraldic symbols in their functioning in the works of English fiction and poetry and summarized in the definition of the symbol not only as a linguistic unit, but also as a semiotic phenomenon of culture.
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