斯宾塞《极乐之屋》中的节制

Q1 Arts and Humanities Spenser Studies Pub Date : 2018-01-01 DOI:10.1086/695575
Angela D. Bullard
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引用次数: 1

摘要

本文认为,对于斯宾塞来说,“节制”并不是一种自我同一性的想象状态,而这种自我同一性是盖恩在《仙后》第二卷末尾必须学习的。相反,斯宾塞称盖伊恩为“节制骑士”,因为他通过自己完成的一项行动,而不是他所体现的一种特质,来缓和过度潮湿、华丽的鲍尔。“极乐之亭”的设计是为了改变骑士们与这座花园的交流,从而改变骑士们的体液状况,这座花园对骑士们的影响比诱惑女神阿克拉西亚更大。为了打破凉亭的力量,盖恩通过摧毁意大利式花园特征和烧毁凉亭来缓和不适当的混合,这是早期现代对土地过于潮湿的一种常见补救措施。通过这个关于节制的寓言,斯宾塞警告英国人不要过度耕种他们的花园和土地,以免英国人也像意大利人和法国人一样过度文雅。
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Tempering the Intemperate in Spenser’s Bower of Bliss
This essay asserts that “temperance” for Spenser is not an imagined state of self-sameness that must be learned by Guyon at the end of Book II of the Faerie Queene. Rather, Spenser dubs Guyon the “Knight of Temperance” because he tempers the overmoist, luxuriant Bower through an action he accomplishes rather than a trait he embodies. The Bower of Bliss was designed to alter the knights’ humoral complexions through their exchange with this garden, a garden that has more influence on the knights than the temptress Acrasia. To break the Bower’s force, Guyon moderates the improperly-mixed Bower by destroying the Italianate garden features and burning the Bower, a common early modern remedy for land that was too moist. Through this allegory on temperance, Spenser warns the English against over-cultivating their gardens and lands, lest the English also become over-refined like the Italians and French.
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Spenser Studies
Spenser Studies Arts and Humanities-Literature and Literary Theory
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Front Matter “Soveraigne place”: Spenser with Henri Lefebvre Thinking through Symbionts: Spenser with Donna Haraway On Dissonance and Late Style: Spenser with Theodor W. Adorno In the Person of the Author: A Response to “Imagined Companions”
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