{"title":"bartolome大师在siguenza大教堂。关于圣马可和圣凯瑟琳祭坛的假设","authors":"F. J. Ramos Gómez","doi":"10.3989/AEARTE.2021.06","DOIUrl":null,"url":null,"abstract":"Maestro Bartolome is one of the most representative masters of Hispano-Flemish painting in Castile. This article examines the stylistic features of the altarpiece of Saint Mark and Saint Catherine (Cathedral of Siguenza) to suggest the involvement of Maestro Bartolome in its completion. Documentary evidence reveals a painter named Bartolome living in Almazan (Soria) in 1504. The technical and formal characteristics of his style are well understood thanks to recent publications on maestro Bartolome’s collaboration with Fernando Gallego.","PeriodicalId":44318,"journal":{"name":"ARCHIVO ESPANOL DE ARTE","volume":"59 1","pages":"101-116"},"PeriodicalIF":0.1000,"publicationDate":"2021-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El maestro Bartolomé en la catedral de Sigüenza. Una hipótesis en relación al retablo de San Marcos y Santa Catalina\",\"authors\":\"F. J. Ramos Gómez\",\"doi\":\"10.3989/AEARTE.2021.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Maestro Bartolome is one of the most representative masters of Hispano-Flemish painting in Castile. This article examines the stylistic features of the altarpiece of Saint Mark and Saint Catherine (Cathedral of Siguenza) to suggest the involvement of Maestro Bartolome in its completion. Documentary evidence reveals a painter named Bartolome living in Almazan (Soria) in 1504. The technical and formal characteristics of his style are well understood thanks to recent publications on maestro Bartolome’s collaboration with Fernando Gallego.\",\"PeriodicalId\":44318,\"journal\":{\"name\":\"ARCHIVO ESPANOL DE ARTE\",\"volume\":\"59 1\",\"pages\":\"101-116\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-06-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHIVO ESPANOL DE ARTE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3989/AEARTE.2021.06\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVO ESPANOL DE ARTE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3989/AEARTE.2021.06","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
El maestro Bartolomé en la catedral de Sigüenza. Una hipótesis en relación al retablo de San Marcos y Santa Catalina
Maestro Bartolome is one of the most representative masters of Hispano-Flemish painting in Castile. This article examines the stylistic features of the altarpiece of Saint Mark and Saint Catherine (Cathedral of Siguenza) to suggest the involvement of Maestro Bartolome in its completion. Documentary evidence reveals a painter named Bartolome living in Almazan (Soria) in 1504. The technical and formal characteristics of his style are well understood thanks to recent publications on maestro Bartolome’s collaboration with Fernando Gallego.
期刊介绍:
Archivo Español de Arte, a specialized quarterly journal publishing only original articles, was founded in 1925 by the “Council for the Furtherance of Scientific Studies and Research” (Junta para la Ampliación de Estudios e Investigaciones Científicas). Archivo Español de Arte is dedicated to research in all areas of the history of Spanish Art and foreign art in relation to Spain, from the Middle Ages to the present. This publication is oriented preferably to the research and university community, both national and international, as well as to all professionals in the art field.