bartolome大师在siguenza大教堂。关于圣马可和圣凯瑟琳祭坛的假设

IF 0.1 2区艺术学 0 ART ARCHIVO ESPANOL DE ARTE Pub Date : 2021-06-14 DOI:10.3989/AEARTE.2021.06

F. J. Ramos Gómez

{"title":"bartolome大师在siguenza大教堂。关于圣马可和圣凯瑟琳祭坛的假设","authors":"F. J. Ramos Gómez","doi":"10.3989/AEARTE.2021.06","DOIUrl":null,"url":null,"abstract":"Maestro Bartolome is one of the most representative masters of Hispano-Flemish painting in Castile. This article examines the stylistic features of the altarpiece of Saint Mark and Saint Catherine (Cathedral of Siguenza) to suggest the involvement of Maestro Bartolome in its completion. Documentary evidence reveals a painter named Bartolome living in Almazan (Soria) in 1504. The technical and formal characteristics of his style are well understood thanks to recent publications on maestro Bartolome’s collaboration with Fernando Gallego.","PeriodicalId":44318,"journal":{"name":"ARCHIVO ESPANOL DE ARTE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El maestro Bartolomé en la catedral de Sigüenza. Una hipótesis en relación al retablo de San Marcos y Santa Catalina\",\"authors\":\"F. J. Ramos Gómez\",\"doi\":\"10.3989/AEARTE.2021.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Maestro Bartolome is one of the most representative masters of Hispano-Flemish painting in Castile. This article examines the stylistic features of the altarpiece of Saint Mark and Saint Catherine (Cathedral of Siguenza) to suggest the involvement of Maestro Bartolome in its completion. Documentary evidence reveals a painter named Bartolome living in Almazan (Soria) in 1504. The technical and formal characteristics of his style are well understood thanks to recent publications on maestro Bartolome’s collaboration with Fernando Gallego.\",\"PeriodicalId\":44318,\"journal\":{\"name\":\"ARCHIVO ESPANOL DE ARTE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-06-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHIVO ESPANOL DE ARTE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3989/AEARTE.2021.06\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVO ESPANOL DE ARTE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3989/AEARTE.2021.06","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}

引用次数: 0

摘要

巴托洛姆大师是卡斯蒂利亚最具代表性的西班牙-佛兰德绘画大师之一。本文考察了圣马可和圣凯瑟琳(西古恩扎大教堂)祭坛的风格特征，以表明大师巴托洛梅在其完成过程中的参与。文献证据显示，1504年，一位名叫巴托洛梅的画家生活在阿尔马赞(索里亚)。由于最近出版了大师巴托洛梅与费尔南多·加莱戈合作的作品，他的风格的技术和形式特征得到了很好的理解。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

El maestro Bartolomé en la catedral de Sigüenza. Una hipótesis en relación al retablo de San Marcos y Santa Catalina

Maestro Bartolome is one of the most representative masters of Hispano-Flemish painting in Castile. This article examines the stylistic features of the altarpiece of Saint Mark and Saint Catherine (Cathedral of Siguenza) to suggest the involvement of Maestro Bartolome in its completion. Documentary evidence reveals a painter named Bartolome living in Almazan (Soria) in 1504. The technical and formal characteristics of his style are well understood thanks to recent publications on maestro Bartolome’s collaboration with Fernando Gallego.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

ARCHIVO ESPANOL DE ARTE ART-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

48 weeks

期刊介绍： Archivo Español de Arte, a specialized quarterly journal publishing only original articles, was founded in 1925 by the “Council for the Furtherance of Scientific Studies and Research” (Junta para la Ampliación de Estudios e Investigaciones Científicas). Archivo Español de Arte is dedicated to research in all areas of the history of Spanish Art and foreign art in relation to Spain, from the Middle Ages to the present. This publication is oriented preferably to the research and university community, both national and international, as well as to all professionals in the art field.