发展独创的caf德尔菲(Delphi)历史研究方法,研究20世纪90年代公关中女性对性、性和性别歧视的个体和集体体验

Sarah Bowman, Heather Yaxley
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摘要

目的:本文旨在发展一种独创的caf德尔菲(Delphi)历史方法,研究20世纪90年代英国公共关系(PR)中女性个体和集体的性、性和性别歧视经验。设计/方法论/方法原始的caf德尔菲历史方法是由一个解释性范式塑造的,该范式提供了一个概念性框架来模拟性别、性行为和性别歧视。这接近历史作为一门社会科学绘制解释学现象学,反身性和伦理关怀。本文以口述历史和参与式行动研究(PAR)为研究对象,对原有的caf德尔菲(Delphi)历史研究方法在20世纪90年代英国女性公关个人和集体经历研究中的实用性进行了拓展和检验。主要发现有三个。(1)开发一种新方法复杂、耗时且存在实际问题;然而,caf德尔菲历史方法是探索个人和集体经验的可行方法。(2)进行方法创新和研究方法创新涉及行动学习,需要敏捷性、反身性和驾驭混乱和秩序的能力。(3)多相混合方法的试验研究揭示了其作为一种伦理和协作的共同研究方法的力量和潜力。原创性/价值本研究扩展了公共关系史学的研究方法,并提供了一种捕捉集体和个人经验的新方法。本研究开发了一种女性分析工具,利用元现代振荡来连接过去、现在和未来。
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Developing an original Café Delphi historical method to research women's individual and collective experiences of sex, sexuality and sexism in PR in the 1990s
PurposeThis paper aims to develop an original Café Delphi historical method to research women's individual and collective experiences of sex, sexuality and sexism in public relations (PR) in 1990s’ Britain.Design/methodology/approachAn original Café Delphi historical method is shaped by an interpretive paradigm providing a conceptual framework to model sex, sexuality and sexism. This approaches history as a social science drawing on hermeneutic phenomenology, reflexivity and ethics of care. A case study, employing oral history and participatory action research (PAR), is used to develop and test the practicality of the original Café Delphi historical method to research women's individual and collective experiences of PR in 1990s’ Britain.FindingsThree main findings are identified. (1) Developing a new method is complex, time-consuming and surfaces practical problems; however, the Café Delphi historical method is a viable way to explore individual and collective experiences. (2) Undertaking methodological innovation and innovating research methods involves action learning and requires agility, reflexivity and ability to navigate messiness and order. (3) Testing the multiphase mixed method study revealed its power and potential as an ethical and collaborative co-research approach.Originality/valueThis study expands the repertoire of research methods in PR historiography and provides a new approach to capture collective as well as individual experiences. This study develops a feminine analytic tool employing metamodern oscillation to connect past, present and future.
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