洛马克斯档案:从信号到噪音

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Sound Studies Pub Date : 2022-07-28 DOI:10.1080/20551940.2022.2104998
Jared Asser
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引用次数: 0

摘要

Bellenger, X. 2015。安第斯音乐空间:塔基利岛和喀喀湖地区音乐生产的仪式化方式。利马:Institut fran ais andines。米歇尔·比根霍和亨利·斯托巴特,2018年。“玻利维亚传统的另一种方式”。《人类学季刊》91(4):1329 - 1363。doi: 10.1353 / anq.2018.0067。Brabec de Mori, B.和A. Seeger, 2013。《音乐、人类和非人类》。= =地理= =根据美国人口普查,这个县的总面积为,其中土地和(0.984平方公里)水。doi: 10.1080/17411912.2013.844527。马蒂亚斯·刘易斯,2017年。= =地理= =根据美国人口普查,这个县的面积为。思维的耳朵5(2).访问2022年12月19日。http://ppct。caicyt.gov.ar index.php / oidopensante
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The Lomax archive: from signal to noise
Bellenger, X. 2015. El espacio musical andino: Modo ritualizado de la producción musical en la Isla de Taquile y en la región del Lago Titicaca. Lima: Institut français d’études andines. Bigenho, Michelle, and Henry Stobart. 2018. “Grasping Cacophony in Bolivian Heritage Otherwise.” Anthropological Quarterly 91 (4): 1329–1363. doi:10.1353/anq.2018.0067. Brabec de Mori, B., and A. Seeger. 2013. “Introduction: Considering Music, Humans, and Non-Humans.” Ethnomusicology Forum 22 (3): 269–286. doi:10.1080/17411912.2013.844527. Lewy, Matthias. 2017. “About Indigenous Perspectivism, Indigenous Sonorism and the Audible Stance: Approach to a Symmetrical Auditory Anthropology.” El oído pensante 5 (2). Accessed 19 December 2022. http://ppct. caicyt.gov.ar/index.php/oidopensante
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来源期刊
Sound Studies
Sound Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.30
自引率
0.00%
发文量
24
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